Murray
Kempton, in December 1989, when the world seemed to be changing for the better,
is writing about Joseph Conrad. He looked to Nostromo for reliable insight into the permanent horror plaguing El
Salvador and other Central American nations. He calls Nostromo the “most enlightening guide.” Kempton’s assumptions about
good novels are no longer fashionable, nor are they any longer true about most
fiction. The so-called social sciences have usurped one of the roles played by
the novel in the nineteenth and occasionally in the twentieth century. The last
writer confident enough to write authoritatively about the world, alongside George
Eliot, Tolstoy and Henry James, was the late V.S. Naipaul. To Daniel Deronda, War and Peace and The
Princess Casamassima we can add A
House for Mr. Biswas and A Bend in
the River. Nostromo set the
standard for “political” novels, a fact acknowledged by Naipaul. Here, from one of my notebooks, is some of the
evidence for such a claim:
Martin
Decoud says: “Of course, government in general, any government anywhere, is a
thing of exquisite comicality to a discerning mind.”
“Solicited incessantly
by the considerations affecting its fears and desires, the human mind turns
naturally away from the marvelous side of events.”
Charles
Gould to his wife: “What is wanted here is law, good faith, order, security.
Any one can declaim about these things, but I pin my faith to material
interests. Only let the material interests once get a firm footing, and they
are bound to impose the conditions on which alone they can continue to exist.
That’s how your money-making is justified here in the face of lawlessness and
disorder. It is justified because the security which it demands must be shared
with an oppressed people. A better justice will come afterwards. That’s your
ray of hope.”
“Action is
consolatory. It is the enemy of thought and the friend of flattering
illusions.”
Conrad’s
pessimism is invigorating. Józef Teodor Konrad Korzeniowski was born on this
date, Dec. 3, in 1857, in Berdychiv, then part of the Russian Empire. Other
writers born in the same city were Vasily Grossman, Der Nister (Pinchus
Kahanovich) and Mendele
Mocher Sforim (Sholem Yankev Abramovich).
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