“Now stir
the fire, and close the shutters fast,
Let fall the
curtains, wheel the sofa round,
And, while
the bubbling and loud-hissing urn
Throws up a
steamy column, and the cups,
That cheer
but not inebriate, wait on each,
So let us
welcome peaceful ev’ning in.”
Anxiety
shadows Cowper’s love of homebound contentment. A letter to his friend Joseph Hill, written on this date, Dec. 7, in 1782, hints at loneliness and his uneasy
sense of security, while celebrating a remembered feat of waiterly grace:
“At seven o’clock
this evening, being the seventh of December, I imagine I see you in your box at
the coffee-house. No doubt the waiter, as ingenious and adroit as his
predecessors were before him, raises the teapot to the ceiling with his right
hand, while in his left the teacup descending almost to the floor, receives a
limpid stream; limpid in its descent, but no sooner has it reached its
destination, than frothing and foaming to the view, it becomes a roaring
syllabub. This is the nineteenth winter since I saw you in this situation; and
if nineteen more pass over me before I die, I shall still remember a
circumstance we have often laughed at.”
The OED defines “syllabub”: “A drink or dish
made of milk (frequently as drawn from the cow) or cream, curdled by the
admixture of wine, cider, or other acid, and often sweetened and flavoured.” A sociable
drink, though Cowper seems to use the word metaphorically. He wished for nothing
more than comfort and security but was plagued with the conviction that God was
punishing him for his sinfulness. He was fortunate to have friends who were happy
to perform the role of surrogate family:
“How
different is the complexion of your Evenings and mine! Yours spent amid the
ceaseless Hum that proceeds from the inside of 50 noisy and busy periwigs, mine
by a domestic fireside, in a retreat as silent as retirement can make it; where
no noise is made but what we make for our own amusement. For instance, here are
two Ladies and your humble Servant in company; one of the ladies has been
playing on the Harpsichord, while I, with the other have been playing at
Battledore and Shuttlecock.”
Cowper
performs a generous act of inverted empathy for his absent friend: “The
happiness we cannot call our own, we yet seem to possess, while we sympathise
with our friends who can.”
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