A man in a
Soviet prison camp writes of a poet who died thirty years earlier in a Soviet
transit camp, a way station in the Gulag. Andrei Sinyavsky (Abram Tertz) writes
of Osip Mandelstam in A Voice from the
Chorus (trans. Max Hayward, 1976). How could a Russian poet (or, arguably,
any of us who remain conscious) not dwell in history? Not in the textbook sense
but history as the medium in which he moved, like fish in water. “Mandelstam lived
in history,” Sinyavsky writes, “as he breathed the air around him: it was a
given quantity, a gift, part of the order of things, which can no more be left than
it can be entered.” Sinyavsky’s words are a warning to all of us, most
especially those who would treat the present as an autonomous region without veins
and nerves linking it to the past. In the most reductive sense, the present
does not exist, though we must be prepared to deal with it. Mandelstam writes:
“I’ll say
this in a whisper, in draft,
because it’s
early yet:
we have to
pay
with
experience and sweat
to learn the
sky’s free play.
“And under
purgatory’s temporal sky
we easily
forget:
the dome of
heaven
is a home
to praise
forever, wherever.”
In fact, it
was not early. In less than two years, sick, maddened and starving, Mandelstam would
die in a camp near Vladivostok. The poem
is dated March 9, 1937. The translator is Robert Chandler, and you’ll find it in The Penguin Book of Russian Poetry,
edited by Chandler, Boris Dralyuk and Irina Mashinski. Some fifteen years
earlier, Mandelstam already felt history closing in. This poem, also translated
by Chandler, is “The Age”:
“Buds will
swell just as in the past,
sprouts of
green will spurt and rage,
but your
backbone has been smashed,
O my grand
and pitiful age.
And so, with
a meaningless smile,
you glance
back, cruel and weak,
like a beast
once quick and agile,
at the
prints of your own feet.”
Sinyavsky
writes: “We usually think of history not as a living entity like ourselves, but
as something fossilized and left behind, a matter for chronological tables and
text-books. For Mandelstam history was real, and at once simple and complex
like our own life – which was hence also historic in his eyes.”
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