It’s
customary to label Max Beerbohm a minor wit, place him on the bottom shelf and forget
about him. He calibrates his ironies so finely, the unwary conclude he says nothing
at all. Subtlety is a dead language and our sense of humor has grown coarse. It
must be loud and shrill, like our politics, for us to hear it. Beerbohm wrote
the essay quoted above, “Servants” (And
Even Now, 1920), in 1918. It is very much of its historical moment. In the
next sentence he refers to “the War, and that remarkable by-product, the
Russian Revolution.”
As it
happens, I am reading for review two books by writers, a Pole and a Russian,
whose lives were shaped by that war and revolution, and yet another war. Beerbohm
is ginger between heavy courses. He is amusing, of course, a relief from so much
suffering and death, but at his dilettantish core you’ll find a commonsensical
Englishman, a Liberal of the old school, and a gentleman. Later in the essay he
drops an astute bit of lit crit:
“Anthony
Trollope was not, like ‘Punch,’ a mere interpreter of what was upmost in the
average English mind: he was a beautifully patient and subtle demonstrator of
all that was therein. Reading him, I soon forget that I am reading about
fictitious characters and careers; quite soon do I feel that I am collating
intimate memoirs and diaries. For sheer conviction of truth, give me Trollope.
You, too, if you know him, must often have uttered this appeal.”
No, Trollope
is not as smart and deep as George Eliot, nor as funny or linguistically
exuberant as Dickens, but he is trustworthy and attentive to his world. And here
is Beerbohm in his final paragraph, sounding like Michael Oakeshott or C.H.
Sisson, and making a declaration that is almost political:
“I am a Tory
Anarchist. I should like every one to go about doing just as he pleased — short
of altering any of the things to which I have grown accustomed.”
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