“It wasn’t
the first time Strether had sat alone in the great dim church – still less was
it the first of his giving himself up, so far as conditions permitted, to its
beneficent action on his nerves. He had been to Notre Dame with Waymarsh, he
had been there with Miss Gostrey, he had been there with Chad Newsome, and had
found the place, even in company, such a refuge from the obsession of his
problem that, with renewed pressure from that source, he had not unnaturally
recurred to a remedy meeting the case, for the moment, so indirectly, no doubt,
but so relievingly . . .”
Llike his creator, Strether is not notably religious. He’s a sensitive man, wishing to do
right by all involved, but uncertain how to proceed. In Note-Dame Cathedral he
finds not resolution but a measure of solace:
“He trod the
long dim nave, sat in the splendid choir, paused before the cluttered chapels
of the east end, and the mighty monument laid upon him its spell. He might have
been a student under the charm of a museum – which was exactly what, in a
foreign town, in the afternoon of life, he would have liked to be free to be.
This form of sacrifice did at any rate for the occasion as well as another; it
made him quite sufficiently understand how, within the precinct, for the real
refugee, the things of the world could fall into abeyance . . . Justice was
outside, in the hard light, and injustice too; but one was as absent as the
other from the air of the long aisles and the brightness of the many altars.”
James had
published one of his most beautiful stories, “The Altar of the Dead,” in the collection
titled Terminations in 1895. George Stransom, not among
the formally faithful, finds a place to honor all but one of his dead. Again,
the site is a Roman Catholic church, this time in London:
“He sank on
his knees before his altar while his head fell over on his hands. His weakness,
his life’s weariness overtook him. It seemed to him he had come for the great
surrender. At first he asked himself how he should get away; then, with the
failing belief in the power, the very desire to move gradually left him. He had
come, as he always came, to lose himself . . .”
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