“If I do not
love Swift, as, thank God, I do not, however immensely I may admire him, it is
because I revolt from the man who placards himself as a professional hater of
his own kind . . .”
This dismissal
of Swift is Thackeray’s in the final chapter, “On Charity and Humor,” of his English Humorists of the Eighteenth Century:
A Series of Lectures (1853). What does charity have to do with humor? Very
little. Thackeray was a satirist of sorts, of the polite variety. Swift’s
vision reduces the world – especially the social world – to essentials. He has
no interest in flattering us, and how we could use him today. Thackeray
continues:
“. . . because
he chisels his savage indignation on his tombstone, as if to perpetuate his
protest against being born of our race—the suffering, the weak, the erring, the
wicked, if you will, but still the friendly, the loving children of God our
Father; it is because, as I read through Swift’s dark volumes, I never find the
aspect of nature seems to delight him, the smiles of children to please him,
the sight of wedded love to soothe him. I do not remember in any line of his
writing a passing allusion to a natural scene of beauty.”
Earlier in English Humorists, Thackeray condemns in
Sterne the quality that is his own gravest fault – sentimentality. He looks to
Swift for post-Romantic qualities that would never interest the Irishman. Take
Swift’s “A Satirical Elegy on the Death of a Late Famous General” – that is, John
Churchill, the first Duke of Marlborough, whom Swift is credited with helping
bring down. Marlborough was a Whig, Swift a Tory. He dismissed the general as a
war-profiteer. In Journal to Stella,
Swift wrote of him: “I confess my belief that he has not one good quality in
the world beside that of a general, and even that I have heard denied by
several great soldiers.” Here’s the conclusion to “Satirical Elegy”:
Come hither,
all ye empty things,
Ye bubbles
raised by breath of kings;
Who float
upon the tide of state,
Come hither,
and behold your fate.
Let pride be
taught by this rebuke,
How very
mean a thing’s a Duke;
From all his
ill-got honours flung,
Turned to
that dirt from whence he sprung.”
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