So it is
with Roger Scruton’s little book On
Hunting (St. Augustine’s Press, 1998). The closet I’ve gotten to hunting
was collecting butterflies as a kid. Guns make me itchy and I feel a tad guilty
eating meatloaf. Truly, without turning it into an ethical stance, I have no killer
instinct, or at least no more than any reasonably civilized carnivore. But
Scruton, while defending the fox hunt, a ritual utterly alien to Americans, is
always thoughtful and entertainingly discursive. For instance:
“Thousand-page
accounts of minor politicians are the greatest offence against literature—especially
when written by the politicians themselves. Worst of all are those instant
hagiographies of pop stars, business moguls and dead princesses—works which
pruriently research each detail, and which, by being true to the facts, are
false through and through in sentiment. Were biographers to confine themselves,
like Plutarch and Aubrey, to twenty pages a time, they would understand their
victims more completely.”
No argument
here. Elsewhere, Scruton suggests why an
American reader might find his defense of English fox hunting so compelling:
“Just as
there is nothing more boring than boredom, nothing more exciting than
excitement, nothing more lovable than love or hateful than hatred, so is there
nothing that arouses interest so much as interest. Interesting people are
interested people, and an enthusiasm—be it as thankless as birdwatching or as
bizarre as philately—marks out the enthusiast as a source of curious learning
and a person with a mind that glows.”
“Interesting
people are interested people.” Like any good writer, Scruton makes our passing
observations, quickly disregarded, seem self-evident. Bores have inert – or, at
the other extreme, madly hyperactive -- minds. In his epilogue Scruton writes:
“Nostalgia
is an unhealthy state of mind. But the study, love and emulation of the past
are necessary to our self-understanding. All that has gone most wrong in our
century has proceeded from a morbid obsession with the future—a belief in `new
dawns’, `revolutionary transformations’, and resurrected nations on the march.
The past, unlike the future, can be known, understood and adapted to our
current uses. When we cast ourselves free from it, we are swept away by outside
forces, adrift on the oceanic tide of happening. The future, which we cannot
describe, begins to seem inevitable. This surrender to the unknown persists,
despite all the crime and destruction that have been wrought in its name.”
Nostalgia
for a past that never existed is an inevitable accompaniment to aging. Every “now”
must be worse, more depraved than every “then.” Sometimes, of course, that is
the case, but abject faith in the future is even more foolish and dangerous. When
I think of the future I remember that Philip Larkin once described Lightnin’ Hopkins’ guitar playing as “vividly pessimistic.”
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