It’s like L.E.
Sissman to mingle high-toned Latin with the titles of popular magazines. He was
the coolest of poets – suave and knowing without snobbery – and is describing a
visit to his doctor’s office – “For once with an appointment.” This is from the
first section of the title poem in Sissman’s first collection, Dying: An
Introduction (1968). It originally appeared in the June 3, 1967 issue of The
New Yorker, less than two years after he was diagnosed with Hodgkin’s
lymphoma, a cancer that would kill him in 1976. During the writing of the book,
Sissman was undergoing multiple hospitalizations, radiation treatments and
chemotherapy. In
the poem he recounts that first cancer diagnosis, beginning with a lump on his
leg. After the tissue sample is taken for the biopsy he writes: “I leave to
live out my three days, / Reprieved from findings and their pain.” The
diagnosis (“Turns out to end in –oma”) comes on a spring-like day in November.
On Sunday, a
November-like day in spring, I took my customary walk to Ella [“Fitzgerald,” I
always add] Boulevard and into the empty parking lot of the Disciples of Christ
church. Doves were at work in the oaks. The fire ants have been busy. I poke one
of their mounds with my cane and watch the swarm. I’m reminded of a computer
science professor I knew who now works for Google. Once, on my way to the
parking lot I saw him squatting at the far side of the engineering quadrangle.
As I approached, I could see he was observing an ant mound. All he said was: “Brownian
motion.”
I need the
cane for walking. The pain from osteoarthritis in my legs has grown more severe
in the last year, and I quickly shed any vanity I once had. Most of the other
people I saw on my walk, the dog-walkers, joggers and bicyclists, wore masks.
My wife has ordered some, but they haven’t arrived.
For his
epigraph to the poem, Sissman chose two lines by Philip Larkin from “Next,Please”: “Always too eager for the future, we / Pick up bad habits of
expectancy.” In his notes to the Complete Poems (2012), Archie Burnett
quotes from a 1951 letter Larkin wrote to his girlfriend Monica Jones while
working on “Next, Please”:
“I think
it’s just another example of the danger of looking forward to things . . . an attempt
to capture my feeling on returning here [i.e., Belfast]: a sense of
amazement that what we wait for so long & therefore seems so long in coming
shouldn’t take a proportionately long time to pass – instead of zipping away at
the same speed as everything else.”
No mention of
death. In fact, Larkin makes no overt reference to it until the poem’s final
stanza:
“Only one
ship is seeking us, a black-
Sailed
unfamiliar, towing at her back
A huge and
birdless silence. In her wake
No waters
breed or break.”
2 comments:
Re: "Most of the other people I saw on my walk, the dog-walkers, joggers and bicyclists, wore masks. My wife has ordered some, but they haven’t arrived."
I've retrieved long dormant red (and blue) kerchiefs, which served as tennis headbands some decades ago.
Feeling rakish, and having occasions for joking. ... "This is a stick-up."
Old cartoon, Clint Eastwood: "This ain't a shawl! It's a serape."
Verse 2 and the final verse of 'Next Please' are moments when Larkin aspires to the Shakespearean.
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