We know what
Dr. Johnson means – that ever-growing population of men and women fueled by that
renewable source of energy, anger. Anger comes with two faces. For the angry
one it is addictive, a rush unlike any other. For the rest of us consigned to
watching the snot fly, it’s a tiresome spectacle. In The Rambler essay
published on this date, April 24, in 1750, Johnson continues:
“Their rage,
indeed, for the most part, fumes away in outcries of injury, and protestations
of vengeance, and seldom proceeds to actual violence, unless a drawer or
linkboy falls in their way; but they interrupt the quiet of those that happen
to be within the reach of their clamours, obstruct the course of conversation,
and disturb the enjoyment of society.”
Johnson’s
understanding of human psychology is acute. Anger amounts on most occasions to
more noise than substance. But the amateurs among the “passionate men” choose
their targets carefully, usually picking on “a drawer or linkboy,” someone weaker
and less able to defend himself. Call them bullies. But what is a “linkboy”? I turned first to Johnson’s own Dictionary: “a boy that carries a torch to
accommodate passengers with light.” The OED definition is nearly
identical: “a boy employed to carry a link to light passengers along the
streets.” And link? “A torch made of tow and pitch (? sometimes of wax
or tallow), formerly much in use for lighting people along the streets.”
Linkboys are
yet another occupation rendered obsolete by technology. In 1763, the City
Corporation of London began lighting the streets with some 5,000 glass oil lamps.
Gas lighting was introduced in 1811. Grosvenor Square, the last London street or
square still lit by oil, was fitted for gas lighting in 1842. I find no mention of linkboys in Henry Mayhew’s four-volume London
Labour and London Poor (1851). Perhaps the job was already extinct.
The OED
cites Pepys, John Gay, Dickens and Thackeray (The Newcomes: “Link-boys
with their torches lighted the beaux over the mud,” 1854-55). Swift gives us “Twenty
watchmen to clear the way, with link-boys lighting them on each side.” In 1773,
Johnson’s friend Sir Joshua Reynolds painted “Cupid As a Link Boy.” In The Dunciad, Pope includes a prayer to Cloacina, goddess of the sewers:
“Oft had the
Goddess heard her servant’s call,
From her
black grottos near the Temple-wall,
List’ning
delighted to the jest unclean
Of link-boys
vile, and watermen obscene;
Where as he
fish’d her nether realms for Wit,
She oft had
favour’d him, and favours yet.”
1 comment:
I must confess I was just as confused by "drawer" in this context. I rejected "one who is skilled at drawing," but 'archaic: tapster' (i.e. a bartender) seems promising. A lot of them keep baseball bats behind the bar, though.
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