“The
equestrian statue of the Southern hero, made to order in far-away uninterested
Paris, is the work of a master and has an artistic interest--a refinement of
style, in fact, under the impression of which we seem to see it, in its
situation, as some precious pearl of ocean washed up on a rude bare strand.”
Vandals,
naturally, have targeted the Lee statue. Bringing it down will require much
engineering prowess or a significant quantity of explosives. Lee and his horse
are twenty-one feet tall and stand on a granite pedestal forty feet tall. On
April 15, 1861, James’ eighteenth birthday, President Lincoln had issued his first
call for volunteers. Three days earlier, Southern guns had fired on Fort
Sumter. His younger brothers and two of his cousins enlisted in the Union Army. James
was drafted but declared medically unfit for military service. One can’t
imagine Henry James marching with a musket on his shoulder. In his chapter of
Richmond, the Lee monument suggests to James “a quite conscious, subjective,
even a quite sublime, effort to ignore, to sit, as it were, superior and
indifferent . . .” In his final view of the statue, James closes his Richmond
chapter with this:
“As I looked
back, before leaving it, at Lee’s stranded, bereft image, which time and
fortune have so cheated of half the significance, and so, I think, of half the
dignity, of great memorials, I recognized something more than the melancholy of
a lost cause. The whole infelicity speaks of a cause that could never have been
gained.”
1 comment:
I've been recently thinking about the Ken Burns Civil War documentary. How grateful I am that it was made in 1990! Just imagine how different it would be if it were made today.
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