R.L. Barth has been culling his shelves, donating books to a university library, and has given me two volumes: Yvor Winters’ “The Poetry of J.V. Cunningham,” a sixteen-page pamphlet published by Alan Swallow in 1961, and Grosvenor Powell’s Yvor Winters: An Annotated Bibliography (Scarecrow Press, 1983). The latter was inscribed by Powell to Turner Cassity in January 1984. Bob has edited selections of Winters’ letters and poems, and knows his work and that of his circle as well as anyone. In a recent email he writes:
“[H]ow many people would
share our pleasure in having such books? Not many, I'm afraid. When Susan [Bob’s
wife] and I were straightening and sorting the poetry shelves, I looked at my
Winters collection. I have every book he produced--a half dozen or more of them
signed--and, I think, just about every book written about him. I’m delighted to
have them, but there was an element of sadness in seeing them, too. Who would
care about these books or want them when I’m gone? The answer, I’m afraid, is
no one.”
The poets who form the
loosely aligned Stanford School (Bowers, Cunningham, Cassity, Lewis, Gunn, Pinkerton, et al.) mean more to me than any comparable group of
modern poets. They valued coherence, clarity and formal rigor, and one can
hardly imagine less fashionable poetic qualities among today’s poets and
readers of poetry. The opening sentence in the Cunningham pamphlet, written
sixty years ago, is classic Winters:
“J.V. Cunningham seems to
me the most consistently distinguished poet writing in English today, and one
of the finest in the language; to make myself clear, however, I shall have to
begin with a few reservations.”
What some judge as Winters’
cantankerousness others see as scrupulosity. His brand of truth-telling is not
in vogue, and probably never was. In his bibliography, Powell includes an excerpt
from a letter to the editors of Hound and Horn, written in 1933 by Basil
Bunting. The English poet objects to a review by Winters of An ‘Objectivists’
Anthology (collected in Yvor Winters: Uncollected Essays and Reviews,
ed. Francis Murphy, 1973) edited by Louis Zukofsky. Bunting was a modestly gifted
poet in his less Poundian moments. He describes Winters’ review as “the vomit
of a creature who . . . found his own name omitted from an anthology that
proposed to sample everything at this moment alive in poetry.” Winters
replied in a subsequent issue:
“Mr. Bunting appears to
offer me some kind of challenge. I shall be glad to encounter him at his own
weapons – any kind of prose or verse – or, if he will come to California, with
or without gloves, Queensbury rules. My weight is 180.”
No comments:
Post a Comment