Seven years ago, the late Helen Pinkerton gave me her copy of The Poetical Works of George Herbert. The volume is heavier than it appears, bound in brown leather, scuffed but still sturdy. It has marbled endpapers, fore-edge, top and foot, and its cover and spine are stamped with gold. No foxing is apparent. It was published by D. Appleton & Co., New York, in 1854. Helen signed her name and the date: “Helen A. Pinkerton 12-1945.” In her note to me she wrote:
“Going through my books of
poetry, I came upon an old favorite, one of the earliest books I acquired when
I began at Stanford in 1944-45. . . . I bought it just at the end of my second
year at Stanford, probably at a bookstore in Palo Alto. There were quite a few
excellent stores at that time. That I spent my hard-earned money on Herbert
tells me that I must have already had contact with [Yvor] Winters and was
exploring his favorite poets.”
I have more modern editions
of Herbert, including a handy pocket-sized hardcover from Oxford University Press,
but for reasons historical and sentimental I rely on Helen’s student text.
There are no underlinings or marginalia, though she has checked in pencil
certain poems in the table of contents, including “Church Monuments.” Winters
ranked it among the finest in the language. In a letter written April 19, 1958,
to Allen Tate (ed. R.L. Barth, The Selected Letters of Yvor Winters,
2000), he says: “This is the only great poem that Herbert wrote. In his other
poems there is a kind of childish pietism which is very hard to take. This poem
is absolutely serious; it would appear to come from another hand.” A poem not
checked by Helen or singled out for comment by Winters, “Bitter-sweet,” drew my
attention this time:
“Ah my deare angrie Lord,
Since thou dost love, yet
strike;
Cast down, yet help
afford;
Sure I will do the like.
“I will complain, yet
praise;
I will bewail, approve:
And all my sowre-sweet
dayes
I will lament, and love.”
God loves, yet punishes –
in a seemingly oxymoronic coupling of words, “deare angrie.” Divine attributes mirrored
in humans, with a twist: “I will complain, yet praise.” That line grabbed me.
It’s easy and even fashionable to complain: just listen. The gift is to
recognize human failure, even evil, while remaining grateful and giving thanks.
“Bitter-sweet” and other poems by Herbert reminded me of one by the late
Richard Wilbur, “Praise in Summer,” from his first collection, The Beautiful
Changes and Other Poems (1947):
“Obscurely yet most surely
called to praise,
As sometimes summer calls
us all, I said
The hills are heavens full
of branching ways
Where star-nosed moles fly
overhead the dead;
I said the trees are mines
in air, I said
See how the sparrow
burrows in the sky!
And then I wondered why
this mad instead
Perverts our praise to
uncreation, why
Such savor’s in this
wrenching things awry.
Does sense so stale that
it must needs derange
The world to know it? To a
praiseful eye
Should it not be enough of
fresh and strange
That trees grow green, and
moles can course in clay,
And sparrows sweep the
ceiling of our day?”
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