Louis MacNeice is startlingly prescient in “To Posterity,” originally published in Visitations (1957):
“When books
have all seized up like the books in graveyards
And reading
and even speaking have been replaced
By other,
less difficult, media, we wonder if you
Will find in
flowers and fruit the same colour and taste
They held
for us for whom they were framed in words,
And will
your grass be green, your sky blue,
Or will your
birds be always wingless birds?”
He speaks to
us in our age of “other, less difficult, media.” MacNeice may have been
thinking most immediately of such passive media as radio. For twenty-two years
he wrote and produced programs for the BBC. In August 1963, while caving in
Yorkshire to collect sound effects for broadcast, MacNeice became sick with
bronchitis and viral pneumonia. He died on September 3 at age fifty-five.
MacNeice’s
poem is one long question. He suggests that the absence of books, reading and
speaking drains the world of vividness and meaning. When no longer “framed in
words,” existence grows drab. Language is the human capacity that animates our
understanding of the world. When mute, life becomes a very dull place. Go back
to that first line, to “books in graveyards,” those unreadable stone ornaments shaped like books, the “Book of Life.”
More than a century before MacNeice addressed posterity, Charles Lamb proposed a
mirror-image reversal of the Irishman’s conceit. When an editor rejects one of
his sonnets, Lamb declares to Bryan Waller Procter in an 1829 letter: “Damn the
age; I will write for Antiquity!” Lamb habitually looked to the past for what
was good and interesting while simultaneously making fun of himself for doing
so, just as he poked fun at his oh-so-earnest friend Hazlitt for lionizing
Napoleon and dabbling in radical chic. In the Elia essay “Oxford in the Vacation,” Lamb writes:
“Antiquity! thou wondrous charm, what art
thou? that being nothing art everything? When thou wert, thou wert not
antiquity - then thou wert nothing, but hadst a remoter antiquity, as thou
calledst it, to look back to with blind veneration; thou thyself being to
thyself flat, jejune, modern! What mystery lurks in this retroversion? or what
half Januses are we, that cannot look forward with the same idolatry with which
we for ever revert! The mighty future is as nothing, being everything! the past
is everything, being nothing!”
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