I and the first issue of Mad magazine arrived in October 1952. A decade or so later I was a devoted reader. That same month, Poetry, a journal I would start reading a few years after Mad, published its fortieth anniversary issue. Included is the work of more than fifty poets, virtually every major American poet alive and writing at the time, and a few from England. When I was a teenager, this lineup constituted much of my library of contemporary poets – W.H. Auden, Louise Bogan, Anthony Hecht, Donald Justice, James Merrill, Marianne Moore, Karl Shapiro, Richard Wilbur. Here is J.V. Cunningham’s “Horoscope”:
“Out of my birth
The
magi chart my worth;
They
mark the influence
Of hour and day; they weigh what thence
“Must come to me.
I
in their cold sky see
No
Venus and no Mars:
It is the past that cast the stars
“That guide me now.
In winter, when the bough
Has lost its leaves, the storm
That piled
them deep will keep them warm.”
It’s still
fashionable to malign the nineteen-fifties as a cultural desert, a sterile
decade in American literature. In 1952, Ralph Ellison, Whitaker Chambers and
Flannery O’Connor published Invisible Man,
Witness and Wise Blood, respectively, and Nabokov would soon complete Lolita.
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