“If love of beauty were the same as faith, / I’d walk in heaven with my feet on earth.”
The late Terry Teachout once described himself as a “Midwestern aesthete,” an identification I have happily claimed. I sense that a love of beauty has grown scarce and too often earns contempt in our utilitarian age. Some of us go on finding consolation in beauty, as Terry writes in “Confessions of an Aesthete”:
“But
America, too, has its share of earnest, well-meaning, narrow-minded folk who
don’t much care for art. Not that this should surprise anyone. Ours, after all,
is a can-do, no-frills culture shaped by the frontier experience and the
Protestant work ethic, and even in this Age of Leisure, the notion that a
person might want to look at a Balanchine ballet or a Cézanne watercolor purely
because it makes him happy is alien to many Americans. It’s not enough that art
should please us: We want it to improve us, to make us smarter and richer, and
maybe even thinner.”
The lines at
the top are the conclusion of Gail White’s “Orthodox Christmas Eve”:
“What am I
doing here with all these Greeks?
Hoping,
perhaps, at midnight Christmas Eve,
The
unintelligible tongue God speaks
Will summon
even those who don’t believe
To Mary's
manger. Now the Virgin bears
The Master
in the cave. As light through glass
He passes
from her body. Joseph dares
Believe the
story; I can let it pass.
The incense
rises like the church’s breath
Into a
frosty world. This night of birth
Swells to a
tide that tosses me past death.
But tides
recede—I know this moment's worth.
If love of
beauty were the same as faith,
I'd walk in
heaven with my feet on earth.”
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