I never encountered the name Keith Douglas in school. We knew some of the English poets of the first war – Wilfred Owen, Rupert Brooke, Siegfried Sassoon – but the second seemed a blank. On my own, I learned of the Americans – Karl Shapiro, Anthony Hecht, Howard Nemerov. Only later still did I hear of Douglas, but his outlines remain vague, more a name from history than literature. Literary reputation is fickle, and none is guaranteed.
Odd to think Douglas was born six weeks before my mother and was twenty-four when a German mortar round took him, three days after D-Day. At Oxford, Douglas had been tutored by one of the better Great War poets, Edmund Blunden. He enlisted soon after the start of the war and served in a tank regiment in North Africa. In 1943, after seeing combat at El Alamein, he was wounded by a land mine near Tripoli. Douglas owed something to Auden, as most of his generation in England did. Go here to watch Clive James read Douglas’ seemingly prescient “Canoe”:
“Well, I am
thinking this may be my last
summer, but
cannot lose even a part
of pleasure
in the old-fashioned art
of idleness.
I cannot stand aghast
“at whatever
doom hovers in the background
while grass
and buildings and the somnolent river
who know
they are allowed to last for ever
exchange
between them the whole subdued sound
“of this hot
time. What sudden fearful fate
can deter my
shade wandering next year
from a
return? Whistle, and I will hear
and come
another evening when this boat
“travels
with you alone towards Iffley:
as you lie
looking up for thunder again,
this cool
touch does not betoken rain;
it is my
spirit that kisses your mouth lightly.”
James is
reading in 2014, already sick with the cancer that would kill him in five years. “My father sailed away to the
war,” he says, “and didn’t come back.”
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