My education continues. Here is “Artillery” (Hazards, 1930) by the English poet Wilfrid Wilson Gibson, previously unknown to me:
“All night I
sat beside the bed
And watched
that senseless moaning head
Backwards
and forwards toss and toss,
When
suddenly he sat upright
And fixed
his eyes upon the light
With
sightless glassy stare and said—
We filled the ditch up with the dead
To get the guns across.”
Gibson (1878-1962)
was born in Northumberland, published his first poems in 1895 and first
collection in 1902. He is usually pigeonholed among the Georgian poets. Once
the Great War started, Gibson tried four times to enlist in the Army but was
rejected because of poor eyesight. He had already befriended Rupert Brooke and
was writing about the war from the home front. Gibson was finally permitted to
enlist in 1917, in the Army Service Corps Motor Transport, and spent the rest
of the war in London. He never saw combat but wrote dozens of poems about the
war. Many are notably realistic and unsentimental. See “November 11th,”
also from Hazards:
“She wakened
in the night to hear
Her son’s
voice moaning in her ear—
I cannot rest, I cannot sleep . . .
Day after day I hear you weep,
And even in deepest slumber, yet
Your heart remembers. Oh, forget,
Forget your son, dear mother! I,
Till you forget me, cannot die,
I cannot wholly die, for still
About the battle-shattered hill
My ghost must wander restlessly
While anyone remembers me. . . .
Long since the living folk I knew
Have all forgotten, all but you;
And sore I long to rest, to die
Once and for ever, long to lie
At peace, and sleep and sleep . . . but I,
I cannot sleep till you forget.”
Folklore tells
us the dead are not truly dead until the last person who remembers them has
also died. It’s an attractive thought, encouraging us to build memorials, write
elegies and requiems, and never forget. Out of the blues, R.L. Barth sent me
this poem, with an epitaph for a title -- “Wilfrid Wilson Gibson (1878-1962)”:
“Turned down
four times when trying to enlist,
At last you
were accepted—Service Corps,
Motor
Transport—in 1917,
A private,
thirty-nine and Blighty-bound,
Never to see
the trenches nor face peril.
“But two
years earlier, you published Battle
Based on
shrewd reading and close listening
To soldiers’
tales and anecdotes with which,
Imaginatively,
you fashioned poems
That
realistically detailed the war.
“You were
among the very first to do so;
The now more
famous poets, Owen, Graves,
Gurney,
Sassoon, all read and were influenced
By you, and
your best work still rivals theirs,
Although too
many readers have forgotten.”
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