In my November 1 post I asked, “Does anyone know anything about Edward Case?” I had stumbled on a gifted poet previously unknown to me who had died in 1985. This week I heard from his son James Case, an architect living in New Jersey, who briefed me on his father and his work. “He was one of the most interesting people I’ve ever known,” James told me.
Case died from
leukemia at age sixty-two. Born in Manhattan, he had a book review column in
the fifties, owned a company manufacturing gasket pumps and held ten patents. He
befriended Hilton Kramer. He wrote for the Wall
Street Journal and exchanged letters with the English novelist Joyce Cary.
After Cary’s death in 1957, Case published an essay about his work in the
Spring 1959 issue of Modern Age, in
which he wrote:
“And then he
died, and after the obituaries were written the makers of literary opinion
continued to write about lesser artists, and there was no sign to indicate that
anyone understood that one of the greatest creators in the history of the novel
had finished his work.”
At the time
of his death, Case had assembled a manuscript of seventy-five poems titled The Business of the Dancer, rhymed and
unrhymed, metrically regular and free verse. “Minor Poet” is one of five poems
by Case published in the October 1985 issue of The New Criterion:
“Saved by a
line
Before he
sank
Into the nameless sea:
His sentence
stayed,
His passage
paid
Home free.”
Case’s poems
are serious, not solemn. With the years, they grew in terseness. Here
is “A Voluntary for Doctor Johnson” in the Summer 1958 issue of Modern Age:
“Gentlemen,
let us tie the tongue of talk
And be
silent -- bid the trumpeter sound
A voluntary
for Doctor Johnson.
“A voluntary
for Doctor Johnson
Whose
carcass gross as far-gone pregnancy
Concealed
the fearful wonder of a child;
Who couched
himself in the cushioned phrase
Of dogma and
felt it creak against his weight
And pound of
anguish;
Who cheered
himself with the sound of voices
And tilted
his tongue against his terror
And talked,
talked, talked, till Despair herself despaired
And like a
squelched woman bit her lips and schemed.
“Gentlemen,
let us tie the tongue of talk
And be
silent -- bid the trumpeter sound
A voluntary
for Doctor Johnson.
“A voluntary for Doctor Johnson
Who, in his
fright, conversed against the night
And talked
down speechless death.”
Dr. Johnson
in his Dictionary defined the noun voluntary as “a piece of musick play’d
at will, without any settled rule.”
James Case hopes to publish his father’s poems. He sent me a pdf of the manuscript, which I haven’t finished reading, but the quality is consistently high. Is there an enterprising editor/publisher out there who might want to read the poems and consider publishing Case’s work? Let me know at patrick.kurp@gmail.com. Case writes in his Cary essay: “When an artist is appraised at less than his true worth, he may fairly be said to be neglected.”
2 comments:
On "The Dick Van Dyke" show, back in the early 1960s, this exchange occurred between Laura and Millie (the next-door neighbor): Millie (excitedly): "Laura, Laura, Jerry [her husband] told me I look just like Joyce Cary." Laura: "Millie, Joyce Cary was a man!"
This is the kind of literary joke that couldn't be done on a TV show today, as too many people don't read anything deeper than the comics, the sports pages, and the TV listings.
I went on a Joyce Carey jag a few years ago after reading a cover story about him in a 1957 Time magazine. Nothing of his is in print any more except The Horse's Mouth (if that). I scoured the fashionable bookstores of London and found nothing of his, and eventually came across a couple of his lesser known novels in a used bookstore in Toronto. Cary's book were absolutely full of life and vivid characters behaving in unpredictable ways. "Yup, that's life," you say to yourself when you finish one. Case was right to honor him.
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