Something seems to be stirring
out there. I’m too cautious and cynical to proclaim a renaissance in formalist poetry but
the prognosis is promising. Clarence Caddell, an Australian, has published
the second issue of The Borough: A Journal of Poetry. I wrote about the first issue in September. Just last week I wrote about the third issue of New Verse Review.
Especially gratifying is seeing
five poems by R.L. Barth in The Borough. Bob is a Marine Corps veteran
of Vietnam who served as a patrol leader in the 1st Reconnaissance Battalion. He
is the finest American poet to have served in that war – not that there’s a lot
of competition for the title. His work is composed in the plain style, practiced
by writers from Ben Jonson to Yvor Winters and J.V. Cunningham. Here is Bob’s anti-sentimental
“Letters from Home”:
“I never understood
Why others couldn’t wait
For letters when what good
Came from news three-weeks
late?
“Came from an alien world
Of proms and family meals?
Took mind from war,
unfurled
No memory that heals
“But carelessness that
kills?
The truth is that you’re
here
On mountains or foothills
Where life, not home, is
dear.”
And here is “Flying Home,” subtitled March 1969, also from The Borough:
“Weapons surrendered to
the armory,
My separation papers well
in hand,
I look at the dark
porthole, where I see
Myself in civvies,
ill-prepared to land.”
Another good poet collected
in The Borough is Vivian Smith, a retired teacher in Australia who turns
eighty-two this year. As with Barth, note the emotional realism, the pared-down though conversational style, and the anti-sentimental tone. Here is Smith’s “Birthday”:
“Born in the year that
Hitler came to power,
I don’t do face book, blog
or tweet,
I’ve never owned a mobile
phone,
kind of old-school,
dressed to disappear,
“and yet surprise,
surprise, I’m still alive
with poems waiting to be
written down
like sign writing
scribbled on the sky,
half-erased, already
vanishing.
“I like my life, the
humdrum tasks.
I never hungered for the
hippie trail.
Indifferent to fashion, I
survive.
Poems can be true in
different ways.
“I write them down, I do
not hold my breath.
I don’t just sit around,
waiting for my death.”
On Friday, Bob sent
me a new poem not published in The Borough. Of it he writes: “Here's a poem
about a subject I've been thinking about for fifty-five years. Like [J.V. Cunningham],
I am a renegade Catholic; but, as JVC certainly knew, being a renegade doesn't
mean you leave the training behind.” Here is “A Soldier-Poet Courts Controversy”:
“‘Your unchecked rages and
so forth are clearly
Manifestations of PTSD.’
An all-encompassing
excuse, for sure,
To which I give a blunt
response: bull shit.
Agnostically, call them .
. . character flaws;
But Catholics know the
Seven Deadly Sins
Down in the depths of
their iniquity,
And strictly hold themselves accountable.”
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