'Something Irrepressibly Celebratory'

A longtime reader of Anecdotal Evidence has commented on my March 1 post: 

“One of my worst apprehensions about my son’s college education came true in his freshman English class. The professor brought up Lamb only to highlight something he said that would strike modern progressives as racist. Such a great language stylist, and my son’s likely only exposure to him was in the villains’ gallery of his college’s CRT indoctrination. Grrr!”

 

By now, a familiar story. That Lamb of all writers should be Zhdanov-ized is a bitter joke. Yes, he is “a great language stylist,” but also one of the funniest writers in the language. His sense of humor, spanning the spectrum from nonsense to erudite wit, is distinctly modern. As he wrote in a letter to Robert Southey: “I was at Hazlitt’s marriage, and had like to have been turned out several times during the ceremony. Anything awful makes me laugh. I misbehaved once at a funeral.” English profs tend today to be humorless and puritanical, at least about other people's beliefs, disapproving of the pleasure we are meant to take in literature.

 

In Nabokov and the Real World: Between Appreciation and Defense (2021), Robert Alter reflects on a visit he made to the Soviet Union in the final year of its existence. He was there to attend a Nabokov conference and contrasts it with “the never-never land that American academia has become.” He writes:

 

"Literature in our own academic circles is regularly dismissed, castigated as an instrument of ideologies of oppression, turned into a deconstructive plaything, preferentially segregated by the pigmentation and the sexual orientation of the writers, or entirely displaced by clinical case studies, metaphysical treatises, psychoanalytic theories, and artifacts of popular culture.”

 

Let’s ask the basic question: why do academics, some of whom are intelligent and well-educated, behave this way? It seems to boil down to two things: a hunger for power (always the highest value on campus), a withered aesthetic sense and and a peculiar form of laziness. You don’t have to bother reading a book if you know in advance you want to disapprove of it. Such descendants of the kids in grade school who complained about reading a book are now in a position to get their way.

Alter bluntly states the reality for many of us: “There is something irrepressibly celebratory about Nabokov’s writing . . .”