“And my final advice is to try, every week or so, to learn something by heart. A surprising amount will remain in the memory, and more and more as you train it; and then, as you walk or work or sit in the subway, you will have something more than daily trivialities to occupy your mind.”
One can’t imagine a
university professor today making such a suggestion to anyone, let alone the public
or even his own students. To make the advice seem even more exotic, consider that
the speaker is a professor of classics at Columbia University who hosted a
weekly radio show broadcast on Tuesday evenings at 9:05 p.m. on WQXR in New
York City. His only stipulation from the station was that he confine himself to
“books of a high standard or else open up some question of broad literary or
social interest.”
Gilbert Highet’s show
aired on hundreds of stations in the U.S. and Canada from 1952 to 1959 and was picked
up by the Voice of America and BBC. Highet edited his radio talks into essays
and published them in five volumes, including People, Places, and Books
(1953), A Clerk of Oxenford (1954), The Powers of Poetry (1960),
and Explorations (1971). I’ve been reading Talents and Geniuses: The Pleasures of Appreciation (1957). Highet’s tone is not dry and academic but
conversational, man-to-man. It must have been a pleasure to hear him on the radio. There’s
no hint of condescension. He flatters us by assuming we are interested and able
to follow him and appreciate what he’s saying. The essay quoted above is “Permanent
Books.” Highet (1906-78) was a “small-d” democrat, a Jeffersonian:
“For civilized people,
reading is an essential activity. Those who do not read, in the middle of a
literate society, are in danger of making themselves into half-savages. Now,
reading is of two different kinds. Some reading is temporary; some reading is what
might be called permanent.”
The “temporary” sort
includes newspapers, popular magazines, detective stories, “light romances,” etc. “These are like modern motorcars and modern buildings,” he writes, “constructed
to look bright and shiny and smart, to be worn out quickly, and to be replaced
by something brighter and shinier in a few months or years.”
Highet is probably best
known for writing The Classical Tradition: Greek and Roman Influences
on Western Literature (1949), though the book I remember most fondly is Poets
in a Landscape (1957). In “Permanent Books” he states the obvious: some
books never become obsolete and are “built to last,” as he puts it. He cites obvious
candidates: Dante’s Commedia, Goethe’s Faust, Shakespeare,
Rabelais and Cervantes. “These books and others like them can be read by an
intelligent man,” he writes, “not once, but many, many times at different
periods throughout his life; they will never seem boring; they will always give
him some new intellectual and emotional experience; they are versatile
companions and tireless teachers.”
Such books are not to be confined
to the classroom or otherwise segregated from life. Often in his essay, I feel
Highet is rather eerily describing my experience with reading and books. He
lived in a happier, healthier world in which scholars could reasonably assume
substantial numbers of common readers sought pleasure and “self-improvement” in
the books they read, and that they would find it. He concludes:
“That is part of the
answer to the question ‘Why does one study and teach Greek and Latin?’ It is
because the best books are lasting books; many Greek and Latin books are
lasting; and only such books are truly worth teaching for a lifetime, and
studying for a lifetime.”
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