“. . . I pounce on quiet when I find it.”
Do you hear that sound? A
low vibrato in the distance? Sometimes it swells and the windows seem to rattle.
It’s a pedal point reminiscent of hornets in a jar, but less reassuring. It’s
the collective drone of chatter, of casually improvident talk. Some are blessed
with the absence of the gift of gab. We try to speak only when we have something
worthwhile to say, which we know is seldom. This means speech, of course, spoken
language, but also applies to written words spewed out as Tweets,
etc. Thriftiness in money and words seems no longer fashionable.
I encountered the phrase
above in Jane Greer’s poem “Motherhood on the One Quiet Night,” reread on
Mother’s Day. She first published it in Plough in 2022 and collected it in The
World as We Know it is Falling Away (Lambing Press, 2022). I try to weigh
the worth of what I have to say before I say it. Not every provocation calls
for a response. You’d almost think people were afraid of silence.
As Montaigne recounts in
his essay “Apology for Raymond Sebond”: “An ambassador of the city of Abdera,
after speaking at length to King Agis of Sparta, asked him: ‘Well, Sire, what
answer do you wish me to take back to our citizens?’ ‘That I allowed you to say
all you wanted, and as much as you wanted, without ever saying a word.’ Wasn’t
that an eloquent and thoroughly intelligible silence?”
How elegant and rare: “an eloquent
and thoroughly intelligible silence.”
[The Montaigne passage can
be found in The Complete Essays of Montaigne (trans. Donald Frame,
Stanford University Press, 1957).]
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