“Above the town of Frankfort, on the top of the steep bluff of the Kentucky River, is a burial-place where lie the bones of many heroes, sons the Commonwealth has lovingly gathered in one fold. It is a beautiful site for this simple Valhalla, with its wide outlook over the noble vale it crowns, to my eyes wondrously enriched by the sense of a people’s care for the fame of its illustrious dead.”
Each Memorial Day we
walked to my grade school to watch the parade. Standing at the curb we waited
for the marching bands, the dignitaries, pretty girls riding in
convertibles, the veterans of three or four wars. The city handed out American
flags on sticks and we waved them as the brass-heavy bands played “The Battle
Hymn of the Republic.” We followed the parade for half a mile to the Parma Heights Cemetery where my mother is now buried. Prayers, solemn speeches, the firing of bolt-action rifles in a three-gun salute. I was a dim kid and
understood nothing I was seeing. Americans have always gathered to honor their
war dead, even today.
The passage at the top is taken
from The Autobiography of Nathaniel Southgate Shaler (1909). If Shaler (1841-1906)
is remembered at all it is as a geologist and paleontologist. When the Civil
War started, Shaler (1841-1906) was a student of the great
Swiss-born zoologist Louis Agassiz in the Lawrence Scientific School at
Harvard. A year away from graduating, Shaler resolved to continue his studies
while preparing for war. He joined the university’s drill club, studied
infantry tactics, read Jomini’s Traité de grande tactique and each weekend
visited Fort Independence in Boston Harbor to learn about artillery.
After graduating summa cum
laude in 1862, Shaler returned to his native Kentucky, where he was
commissioned to raise the Fifth Kentucky Battery on the Union side, despite
coming from a slave-owning family. He detested the Republican Party and many of
his Kentucky friends had already joined the Confederate cause, but Shaler
believed in the Union, which he called “a most useful
convenience for uniting like states for protection and interchange.”
Shaler served for two
years until illness forced his resignation. For almost forty years he taught at
Harvard, and late in life wrote the poems collected in From Old Fields:
Poems of the Civil War. Shaler’s wife published the book posthumously. In
2004, R.L. Barth edited and introduced The Selected Civil War Poems of
Nathaniel Southgate Shaler (Scienter Press). Bob is a poet, publisher, Marine
Corps veteran of the Vietnam War, and fellow Kentuckian. In his introduction he
writes:
“Shaler was a Civil War
combat veteran; he thought long and hard about combat, war, and soldiering;
although a poetic amateur, he had certain poetic skills, chief among them
narrative power, an ability to write fluid blank verse, and an eye for telling
details, sharply perceived and rendered.”
Barth says Shaler’s best
poems are “shrewdly observed and profoundly moving.” As the volume’s final selection,
Bob includes “The Burial Place,” a poem that echoes the passage at the
top taken from Shaler’s Autobiography. It begins:
“A hill-top that looked
far above the throng
Of brother hills, and into
widening vales
Wherein the brooks slip
onward to the sea.
A place for castle in old
war-torn lands
When might was master:
here, the silent hold
Where sleep the dead in
earth that looks to sky
For the brave trust in all
that dwelleth there.”
Visiting the cemetery are
an old man and a boy, “in ancient quest / Of place for one more grave . . .”
The Civil War and its dead are alluded to obliquely:
“’T is not yet two-score
years, yet ’t is as far
As Trojan legend to the
youth who hears
How o’er this earth of
peace tramped demon war,
Treading its hills and
vales with feet that scorched
Their goodly life out; how
of all that dwelt
Out to the rim of sight,
peace stayed alone
With those who abided here
in God’s strong arms,
Unheeding Satan’s deeds.”
Shaler concludes his poem
with a line as final as an epitaph: “’T is but the graves that stay.”
As a coda, here is Bob’s “Meditations After Battle,” collected in Deeply Dug In (University of New Mexico Press, 2003). The first part is preceded by half of a Virgilian tag from Book I, line 462, of the Aeneid: “sunt lacrimae rerum . . .”:
“And all around, the dead!
So many dead!
So many ways to die it
hurt the heart
To look and feel sun
burning overhead.
We stacked the bodies on
scorched grass, apart.”
Before the second part of
the poem is the rest of Virgil’s line: “et mentem mortalia tangunt”:
“Death was the context and
the only fact.
Amidst the stench, I
almost could believe
There was a world of light
where, if souls lacked
Broken bodies awhile, they
would retrieve
Them, mended; where no one
need longer grieve.”
The complete line from the Aeneid can be translated “There are tears for things and mortal things touch the mind.”
1 comment:
On Memorial Day I always think of a passage from Thomas Heggen's novel, Mister Roberts:
"The dead, Roberts mused, what could you say for the dead of this war? What could you really say? Well, there were a lot of things you could say automatically and without thought, but they were all the wrong things; and just this once, just this one war, anyhow, let us try to say true things about the dead. Begin by cancelling the phrase, 'our honored dead': for that is not true - we forget them, we do not honor them but in rhetoric - and the phrase is the badge of those who want something of the dead. If the dead of this was must have a mutual encomium, then let it be 'poor dead bastards.' There is at least a little humanity in that."
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