I’m coming to suspect that nothing is ever irretrievably lost to memory. The other night I dreamed of a schoolmate I hardly knew who died sixty years ago. His name was Randy Peck. He had a twin sister named Mandy. Their names invited jokes, of course, as did their Georgia accents in suburban Cleveland. They seemed better-dressed and a little more sophisticated than the rest of us. Both were tall, slender and attractive, with high foreheads and straight, light brown hair. Suddenly, it seemed, Randy died, and I remember nothing further about Mandy. Their images are fixed in memory, around 1966, like bugs in amber.
I remember the names of
other contemporaries who died when we were kids, and I would recognize them if
they walked into the room. Back then it never occurred to me to consider the
impact their deaths must have had on their families. For me, their disappearances
were more interesting than anything else. They were a novelty, a rare childhood
convergence with death. I don’t think I reflected at the time that I, too, was
mortal. I wasn’t that contemplative a kid.
Walter de la Mare is the
poet laureate of childhood, usually without sentimentalizing that time of life.
Often, he projects himself into children, and thus comes to understand their
fears as well as their joys. Here is “Autumn” (Poems, 1906);
“There is wind where the
rose was;
Cold rain where sweet
grass was;
And clouds like sheep
Stream o'er the steep
Grey skies where the lark
was.
“Nought gold where your
hair was;
Nought warm where your
hand was;
But phantom, forlorn,
Beneath the thorn,
Your ghost where your face
was.
“Sad winds where your
voice was;
Tears, tears where my
heart was;
And ever with me,
Child, ever with me,
Silence where hope was.”
As he often does, de la
Mare is writing about an absence. Not until the second stanza does he write “Your
ghost where your face was.” Six lines end in the past tense -- “was.” The poet
may be remembering a real child or perhaps he writes of childhood itself. His
final line is heartbreaking.
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