For many years the theme of our Thanksgiving Day has been Ben Jonson’s “Inviting a Friend to Supper,” which begins:
“Tonight, grave sir, both
my poore house, and I
Doe equally desire your
companie:
Not that we thinke us
worthy such a guest,
But that your worth will
dignifie our feast . . .”
In earlier years, the menu
would be Américain Classique: roast turkey, mashed potatoes, green
beans, corn casserole, dinner rolls, etc. – an embarrassingly bountiful spread.
Guests would include family, neighbors and the unexpected. This year the fare
will be more modest, probably salmon, rice and broccoli. No, it’s not poverty
or some misguided concession to health. My middle son arrived Wednesday evening
from Fort Meade. He’s a vegetarian and a Marine, and we’ll be dining alone. My
wife doesn’t return to Houston from Chile until Friday. Jonson’s poem is an
invitation, a welcome to my readers: Come, join us, help yourself, enjoy the
feast. He concludes the poem with these words:
“No simple word
That shall be utter’d at
our mirthfull board
Shall make us sad next
morning: or affright
The libertie, that wee’ll
enjoy to-night.”
Of all Thanksgiving poems,
my favorite is Anthony Hecht’s “The Transparent Man” (The Transparent Man,
1990), a dramatic monologue spoken by a thirty-year-old woman hospitalized with
leukemia. Each year, when I reread it, I think: I wish I could have known her,
a fictional character. She recognizes the impact her fatal illness has on
others and doesn’t wish to burden them.
“. . . I feel
A little conspicuous and
in the way.
It’s mainly because of
Thanksgiving. All these mothers
And wives and husbands
gaze at me soulfully
And feel they should break
up their box of chocolates
For a donation, or hand me
a chunk of fruitcake.
What they don’t understand
and never guess
Is that it’s better for me
without a family;
It’s a great blessing.
Though I mean no harm.”
“Donation” gently,
politely camouflages scorn, and that last sentence is heartbreaking. She thinks
of the difficulty her illness causes her father, who doesn’t visit. Is she
making excuses for him? Hecht leaves it unresolved. His nameless speaker, in
what might be mistaken for self-pity, redefines gratitude:
“I care about fewer
things; I’m more selective.
It’s got so I can’t even
bring myself
To read through any of
your books these days.
It’s partly weariness, and
partly the fact
That I seem not to care
much about the endings,
How things work out, or
whether they even do.”
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