“Decline and Fall is still worth reading, not just for historiographical, literary, and psychological reasons, but also for what we still learn from it about the decline and fall of the Roman Empire through the eyes of a highly talented person who spent long years reading and thinking about it.”
Nicholas Tate refers not
to Evelyn Waugh’s first novel but to Edward Gibbon’s six-volume History of
the Decline and Fall of the Roman Empire (1776-88). Tate is the stubborn sort of reader who sees no reason why we shouldn’t read the books that nourished our
forebears, who kept them in print for centuries.
Last month I wrote about a friend who is reading Gibbon’s masterwork for the first time, and he has sent
along an interim report on the experience. “I’m reading the book in the [David]
Wormsley edition, as you suggested,” he writes. “I’m going about it
systematically and reading 10 pages or so every evening, after dinner. I’m
taking notes and looking up a lot of information on the internet as I’m reading.
I look forward to this time every day.” Precisely the sort of news I like to
hear.
I stumbled on a pdf of
Tate’s Seven Books That Everyone Once Read and No One Now Does, published
last year by Ludovika University Press in Budapest, Hungary. I know nothing
about Tate but I suspect there’s a story behind his choice of that imprint.
I’ve only skimmed portions of the book but already I admire his resolve and
scholarship. Here are the other books he devotes chapters to:
On Duties (44 B.C.), Marcus Tullius
Cicero
Parallel Lives (early second century
A.D.), Plutarch
The Consolations of
Philosophy (524-525
A.D.), Boethius
Le Morte Darthur (1469-70), Thomas Malory
The Pilgrim’s Progress (1678), John Bunyan
Waverley (1814), Walter Scott
Nothing exotic or arguably
obscure. The only volume I’ve not read is Malory’s, mostly because I’ve never
had much interest in the Arthurian legends. To his credit, Tate several times
refers to Theodore Dalrymple’s These Spindrift Pages (Mirabeau, 2023), which
he refers to as “a book about the thoughts that spring from looking through the
books in the author’s library, reminisces about second-hand bookshops and books
he has bought with traces of their previous owners.” Tate is never scolding or
snobbish. He loves these books, of course, but more importantly he knows our
ancestors did as well. Their endorsement speaks to us. I plan to read Seven
Books in its entirety. In a chapter titled “Why the ‘Great Unread’?” Tate
writes:
“We have also moved away
from a society with an educated class associated with the fostering of a ‘high
culture’, and permeated by the Aristotelian idea that the superior life is the
life of thought, to one that Mario Vargas Llosa has described as a
‘civilisation of spectacle’, in which cultural objects are assumed to be
ephemeral (como el popcorn), exist solely for purposes of entertainment
and are evaluated in terms of their financial success, and in which the old
notion of cultural hierarchies has largely been lost.”
[Tate refers to Vargas
Llosa’s La civilización del espectáculo (2012).]
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