In his final book, Forms of Discovery: Critical and Historical Essays on the Forms of the Short Poem in English (1967), the dying Yvor Winters briefly mentions the allegorically named poet Philip Pain: “Of Pain nothing is known beyond what we learn from his Daily Meditations. It was begun in July of 1666 and was published in Massachusetts in 1668, and was written ‘By Pain: Who, lately, suffering Shipwrack, was drowned.’” “Meditation 8”:
“Scarce do I pass a day,
but that I hear
Some one or other’s dead;
and to my ear
Me thinks it is no news:
but Oh! did I
Think deeply on it, what
it is to die,
My Pulses all would bear,
I should not be
Drown’d in this Deluge of
Securitie.”
Winters admired the poem
enough to include it in Quest for Reality: An Anthology of Short Poems in
English (1969), the posthumously published collection he co-edited with
Kenneth Fields. We know little about Pain with much certainty, even his
nationality and place and date of birth (usually given as “c. 1647-c.
1667”). In 1936, the Henry E. Huntington Library published a 36-page facsimile
edition with an introduction by Leon Howard, the Melville scholar. Howard calls
Pain a “lost” author. He is unable to substantiate claims that his little book,
Daily Meditations, is the first original American verse published in the
English Colonies. Here is “Meditation 54”:
“The sons of men are prone
to forget Death,
And put it farre away from
them, till breath
Begins to tell them they
must to the grave,
And then, Oh what would
they give but to have
“One year of respite? Help
me, Lord, to know
As I move here, so my time
moves also.”
Winters writes: “He was obviously
influenced by George Herbert, and there are traces of other metaphysical
influences. The poems are very devout and fairly well executed . . . [“Meditation
8”] conveys a profound insight into the human predicament, whether Christian or
other, and it should be retained in our literature.”
Pain’s poems remind me of
the work of another death-haunted poet, Stevie Smith. Both emphasize the evanescence
of life. Here is “Some Are Born” (The Frog Prince and Other Poems, 1966):
“Some are born to peace
and joy
And some are born to
sorrow
But only for a day as we
Shall not be here
tomorrow.”
In an almost too-clever
epigram from her first collection, A Good Time Was Had by All (1937),
Smith writes:
“All things pass
Love and mankind is grass.”
From the King James Bible, 1 Peter 1:24: “For all flesh is as grass, and all the glory of man as the flower of grass. The grass withereth, and the flower thereof falleth away.”
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