We’ve had a damp spring and summer in Houston – thirty-nine inches of rain since the start of the year. No major storms but frequent brief showers, often in late afternoon. At this time nine years ago, Hurricane Harvey was about to hit, flooding my car and leaving us without power for four days. Lawns now are lush. Mosquitoes swarm in clouds. Step outside and get sucker-punched by the humidity. Our front garden is a jungle, almost taking over the sidewalk.
Walter de la Mare
published “Dry August Burned” in Memory and Other Poems in 1938, though
it suggests the Great War years. August was the time when farmers traditionally
burned stubble on their land, causing hares to flee the fire. World War I
started in August 1914. The poem begins indoors:
“Dry August burned. A
harvest hare
Limp on the kitchen table
lay,
Its fur blood-blubbered,
eye astare,
While a small child that
stood near by
Wept out her heart to see
it there.”
De la Mare had two
daughters and two sons. He was sensitive to the lives of young children, their volatile emotional
natures. Sounds attract the girl outside:
“. . . like a leveret she ran,
To feast her glistening
bird-clear eyes
On a team of field
artillery
Gay, to manoeuvres,
thudding by.
Spur and gun and limber
plate
Flashed in the sun.”
A leveret is a young hare.
De la Mare describes the girl as “nibbling a green leaf,” like a leveret. She is
dazzled by the “sun-tanned soldiery,” the field artillery, the spectacle:
“She turned, and ran,
Elf-like, into the house
again.
The hare had vanished. . .
. ‘Mother,’ she said,
Her tear-stained cheek now
flushed with red,
‘Please, may I go and see
it skinned?’”
Like many of de la Mare’s
poems, “Dry August Burned” is a compressed short story, a revelation of
character. He suggests even the youngest among us, the most seemingly innocent,
knows bloodlust. We are the most savage species.
And yet, kindness persists.
William Cowper (1731-1800) kept as pets three hares, Puss, Bess and Tiney. A
neighboring child who had become bored with them gave them to the poet, who wrote
a poem when Tiney died at age nine. When Cowper fed bread to his dog
Marquis, he also fed Puss, who lived to the age of twelve. In The Task
he writes of Puss:
“One sheltered hare
Has never heard the
sanguinary yell
Of cruel man, exulting in
her woes.
Innocent partner of my
peaceful home,
Whom ten long years’
experience of my care
Has made at last familiar,
she has lost
Much of her vigilant
instinctive dread,
Not needful here, beneath
a roof like mine.”
We suspect some animal
lovers of virtue-signaling, wishing to advertise their compassion and
sensitivity. One never detects this in Cowper. He could never have lived in
London among the crowds and social demands. In Olney he found respite. When
Cowper writes of hares and other animals, one senses his identification with
these creatures, as in The Task:
“Yes—thou mayst eat thy
bread, and lick the hand
That feeds thee; thou
mayst frolic on the floor
At evening, and at night
retire secure
To thy straw-couch, and
slumber unalarmed;
For I have gained thy
confidence, have pledged
All that is human in me to
protect
Thine unsuspecting
gratitude and love.
If I survive thee I will
dig thy grave,
And when I place thee in
it, sighing say,
I knew at least one hare
that had a friend.”
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