“As I have gotten older I am more aware
that I have only so much time left in life to read, so I try to be more
thoughtful with my selections. I gave up most magazine reading years ago; even
though there was plenty of interesting and well written material, it really
took away from more substantive book reading. The internet poses a similar
challenge.”
Except for the teenage daughters, his
experience resembles mine, and I suspect other dedicated readers who are no
longer children will sense a similar kinship. I read less for diversion or
entertainment and more to learn
something, in Kenneth Burke’s sense of books as “equipment for living.” Along
with the dawning awareness that time is short and I don’t want to squander it,
there’s a growing reliance on authors and books that have already proven
themselves worthy of my time. More than ever, I’m reading what I’ve already read.
I’m less likely to venture into uncharted territory, especially among
contemporaries. One rereads not merely a book but the former selves who read it before. This can be amusing, sometimes nostalgic, often humbling. As one ages, one
ought to become a better reader, with more experience and judgment to draw upon.
In “The Constant Rereader’s Five-Foot Shelf” (Innocent Bystander: The Scene from the 70s), L.E. Sissman writes:
“A list of books that you reread is like
a clearing in the forest: a level, clean, well-lighted place where you set down
your burdens and set up your home, your identity, your concerns, your
continuity in a world that is at best indifferent, at worst malign.”
It’s chastening to remember that
Sissman, a wonderful poet and essayist, was forty-eight, eleven years my
junior, when cancer killed him. Two of the books I’m now reading I’ve read
before – The Drapier’s Letters by
Swift and The Unity of Philosophical
Experience by Étienne Gilson. From both I’m profiting more than in the past.
Both have a newfound inevitability about them, and I sense I’m finally reading
them appropriately, at the right time. In a 1931 essay, “Charles Whibley,” T.S.
Eliot writes:
“Those persons who are drawn by the
powerful attraction of Jonathan Swift read and re-read with enchanted delight The Drapier’s Letters; and these letters
are journalism according to my hint of a definition, if anything is. But The Drapier’s Letters are such an
important item now in English letters, so essential to anyone who would be well
read in the literature of England [and Ireland], that we ignore the accident by
which we still read them.”
The evolution of my reading life, my
growing distrust of novelty and desire for reacquaintance, leave me suspicious
of my true motives. Am I growing timid? Hidebound? Less adventuresome? Categorically
suspicious of the new? At the age of thirty-two, Swift wrote a list of
resolutions for his dotage, “When I Come to Be Old.” Among them are:
“-Not to be peevish or morose, or
suspicious.”
and
“-Not to be over severe with young
People, but give Allowances for their youthfull follyes and weaknesses.”
2 comments:
Thanks so much for the Sissman quotation. It is just right about rereading books such as James's "Portrait of a Lady" and "The Bostonians." Not to mention Gilson's "Unity of Philosophical Experience." And long poems, such as E. A. Robinson's "Rembrandt to Rembrandt."
I can't help thinking how much poorer English literature might have been had Swift kept to the spirit of such resolutions.
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