“On
such a night, when Air has loosed
Its
guardian grasp on blood and brain,
Old
terrors then of god or ghost
Creep
from their caves to life again.”
Writing to Donald
Davie on April 10, 1950 (ed. R.L. Barth, The Selected Letters of Yvor
Winters, Swallow/Ohio
University Press, 2000), Winters recommends the poem, along with “Dejection”
and “The Affliction of Richard,” and taunts Davie: “I suppose you don’t like
Bridges, since he is nothing more than a respectable Briton.” Then he makes fun
of a favorite target, “the temptations of the romantic tradition,” and rises to
a great crescendo of defiant celebration:
“I am constantly being bewildered by romantic lovers of the bucolic who have never milked a cow or goat, who have never trimmed a terrier, who cannot tell a finch from a thrush, who have never pulled a carrot fresh from the ground and eaten it raw, who have never had to battle with a natural and impulsive love for too much alcohol, and who never got any pleasure out of a fight with their bare fists. These things and others loosely related have been the great temptations of my life.”
“I am constantly being bewildered by romantic lovers of the bucolic who have never milked a cow or goat, who have never trimmed a terrier, who cannot tell a finch from a thrush, who have never pulled a carrot fresh from the ground and eaten it raw, who have never had to battle with a natural and impulsive love for too much alcohol, and who never got any pleasure out of a fight with their bare fists. These things and others loosely related have been the great temptations of my life.”
2 comments:
There is an excellent critical book, 'Laureates and Heretics' by Robert Archambeau, in which he investigates the genesis of Winters' poetics and his influence on five of his famous and not-so-famous students: Robert Pinsky, Robert Hass, John Peck, John Matthias, and James McMichael. Archambeau makes an interesting case for Winters' early Imagist poetry, and demonstrates how he reacted against the temptations of the Romantic tradition (as he conceived it). It's a highly readable study.
I enjoyed 'Low Barometer' but there's some strange scansion in the last stanza of 'The Affliction of Richard' on the word "shadow" that kind of spoils it.
Post a Comment