Perhaps
the model for today’s “public intellectual,” hard-wired to the Zeitgeist and hair-triggered with opinions,
is H.G. Wells. He dabbled in utopia and eugenics, wrote science-fiction novels and
once said of Joseph Stalin, with whom he shook hands in 1934 (the year of the start
of the Great Purge, following the murder of Sergey Kirov): “I have never met a
man more fair, candid, and honest.” Wells believed in progress and World
Government. I had read The Time Machine
and his other “scientific romances” by the time I read John Updike’s “Pigeon Feathers” (1961). David Kern, Updike’s stand-in, is thirteen and has also read The Time Machine. David’s encounter with
Wells’ The Outline of History, first
published in two volumes in 1920, shocks him and sets off a crisis of faith:
“.
. . before he could halt his eyes, David slipped into Wells’s account of Jesus.
He had been an obscure political agitator, a kind of hobo, in a minor colony of
the Roman Empire. By an accident impossible to reconstruct, he (the small h horrified David) survived his own
crucifixion and presumably died a few weeks later. A religion was founded on
the freakish incident. The credulous imagination of the times retrospectively assigned
miracles and supernatural pretensions to Jesus; a myth grew, and then a church,
whose theology at most points was in direct contradiction of the simple, rather
communistic teachings of the Galilean.”
Updike
nicely captures the condescension and contempt associated with the dull, earnest scientism of
any era. I remembered the early Updike story while reading Broadcast Minds (Sheed & Ward, 1932) by Ronald Knox, the Roman
Catholic priest, Bible translator and author of Enthusiasm: A Chapter in the History of Religion with Special Reference
to the XVII and XVIII Centuries (1950). Knox took his title from the credence
people put in the chief medium of his day, radio: “the habit of taking over,
from self-constituted mentors, a ready-made, standardized philosophy of life,
instead of constructing, with however imperfect materials, a philosophy of life
for oneself.” In his chapter “The Omniscientists,” he anatomizes those who
establish a pet thesis, withhold conflicting evidence, and then “serve up the
whole to us as the best conclusions of modern research, disarming all
opposition by appealing to the sacred name of science.” Among his targets are
Wells, Julian Huxley, Bertrand Russell and Gerald Heard, the Harris, Dawkins, Dennett
and Hitchens of their day.
Knox
traces the rise of “omniscience” in his day to the publication of The Outline of History. Wells, he says,
is “a man who could turn his hand to anything, who, by his uncanny literary
gift, could make any sort of improbability seem probable, in the manner of
Jules Verne. Knox might be referring to Wells’ sci-fi novels and stories, or to
almost anything he ever wrote. About his Outline
of History he writes:
“But
we had not pictured him as a historian. And then the book came out, and we
realized that his treatment of his subject did not really need any knowledge of
history, beyond the 1066 and All That standard; the rest could be left out.”
Conceding
that Wells is “readable,” Knox adds: “It was a phantasia, history as Mr Wells
wanted us to see it, with materials drawn from so wide a range of sources that,
look where he would, he could always find some point of view, some opinion,
which favoured his own thesis.”
1 comment:
It seems there's good reason to believe that the Outline of History owed an awful lot to the unacknowledged spadework of an unknown Canadian spinster. There's a balanced account of the affair here...
http://www.salon.com/2002/11/07/mckillip/
Wells was an appalling man in so many ways, but those early 'scientific romances' are really rather wonderful, aren't they? And some of the short stories...
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