A
useful, healthy-minded distinction. We don’t read Coriolanus or Leskov’s stories for information, and most of us don’t
read dictionaries or field guides for pleasure (there are exceptions). But
Maureen Mullarkey, in “Because the Incarnate Matters,” points out a fading reality
lost on the congenitally digital: books exceed their merely utilitarian purposes. She continues, on the subject of reading:
“And
like any love, it has a physical dimension. There is more to it than simply
ingesting print. Love of reading begins with pleasure in the look, feel, and
weight of a book. Even the smell of books—seasoned ones—carries an enchantment.
Redolent with memory, they do more than conjure the past for us. They bind us
to it.”
I
remember the pleasure all my sons took in books as physical objects even before
they were toddlers. Sure, they tore some pages, and my youngest chewed off part
of a paperback cover, leaving tooth marks. But the ingenious engineering of a
book, the way pages move when riffled, like leaves of grass in a breeze, is
seductive, and gives us a handy metaphor for the book’s contents, its latent
energies. All it takes to get things moving is a reader.
The
danger here is fetishizing. The e-books Mullarkey discusses have never tempted
me. I’m generally resistant to new gadgets of any sort, and don’t like clutter,
digital or otherwise. But it’s good to remember that most traditional books
from any era are junk. Ever hopeful, I scan the crowded “Book Sale” shelves in
our neighborhood branch library, but in five years I’ve purchased only two volumes,
at 50 cents apiece, one of which was for the book-chewer mentioned above. The
rest are bestsellers, self-help, computer manuals, textbooks and old National Geographics. In short, clutter.
But the books important to me, the ones I’m certain to read again, are layered indelibly
with memories. They are more truly mine
than my neckties, laptop and car.
Reading
is an intimate, solitary pleasure. I can’t imagine the horrors posed by a book
club. We know our books with an intensity and thoroughness customarily reserved
for friends. And like friends, they change across time as we change, and are
never stale, always new and a little mysterious. Mullarkey writes: “Reading for
the delight of it—however sober the topic—is a kind of play. To be lost in a
book is a festivity pursued for its own sake.” I have no wish to condemn or
abolish e-books. Like so many passing vogues, they leave me not hostile but
indifferent. I feel the same about electric razors and electric cars. I like
the idea of an object -- a book -- suffused with the sensibilities of its
creator and its user. As Mullarkey puts it:
“Words
flicker across a screen, fugitive and insubstantial. By contrast, words inked
onto a page are still corporeal, however slight. They occupy space, have weight
and texture. They are really there. So, too, the page that holds them: Every
physical book is a concrete embodiment of mind, in its way an incarnation.”
1 comment:
As I come to the end of "Le Temps Retrouvé' this reminds me of Marcel's references to Bergotte's books and George Sand's 'François le Champi' which he read when young. It was the texture of the pages, the illustrations and the bindings that reminded him of the past.
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