In a comment
on Saturday’s post, Nige reminds me of the letter Keats wrote to one of the most
loyal and poetically knowledgeable of his friends, John Hamilton Reynolds, on
Nov. 22, 1817. We might think of Reynolds as the anti-Leigh Hunt. Keats is busy
writing Endymion, which he completes
in Burford Bridge, after a walk up Box Hill. Keats quotes ten lines of the new
poem in his letter to Reynolds. I read Endymion as something Keats had to get
out of his system before he could write the great odes the following year. In it are
some of the most embarrassingly awful lines he ever wrote, and a few of the loveliest:
“A thing of
beauty is a joy for ever:
Its
loveliness increases; it will never
Pass into
nothingness; but still will keep
A bower
quiet for us, and a sleep
Full of
sweet dreams, and health, and quiet breathing.”
That final
line is bitter, knowing as we do that Keats already suffers from the
tuberculosis that will kill him in little more than three years. Wherever he
traveled, Keats carried with him a portrait of Shakespeare. In the letter, he
writes to Reynolds:
“One of the
three books I have with me is Shakspeare’s Poems: I never found so many
beauties in the sonnets—they seem to be full of fine things said
unintentionally—in the intensity of working out conceits. Is this to be borne?
Hark ye!”
I can’t
think of another writer who is so thoroughly suffused with the spirit of
another, yet without a suggestion of aping or plagiarism. Shakespeare’s
language set Keats free to fashion his own music. He quotes lines five through
eight of Sonnet 12, then, in the passage cited by Nige, he quotes the “cockled
snails” reference in Love’s Labours Lost,
then six lines from “Venus and Adonis,” plus three more sonnets, all in slightly more than a paragraph. We sense excitement
and nervous tension, not a showing off of erudition. For Keats, Shakespeare is a stimulant.
In his final paragraph, without identifying the allusions, he gives us “lend me
thy hand to laugh a little,” from Act II, Scene 4 of Henry IV, Part 1; “send me a little pullet-sperm” from The Merry Wives of Windsor, Act II,
Scene 5; and “a few finch eggs” from Troilus
and Cressida, Act V, Scene 1. Keep in mind that Keats is one of literature’s
great autodidacts.
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