“Your poems
strike me as worth very little.”
Precious
words rarely uttered. Yvor Winters is answering a letter from Seymour Gresser (The Selected Letters of Yvor Winters,
ed. R.L. Barth, 2000). The date is Nov. 20, 1951. Gresser, about whom I know
almost nothing, had apparently sent Winters an unsolicited manuscript. Winters
assumes Gresser is familiar with his criticism, “since you sent me these, yet
these represent the kind of loose writing to which I have been objecting for
years.” He concludes his brief response: “About the best advice I could give
you is to read as many poets as you can, especially in the 16th
& 17th centuries & try to find out what poetry is.” Timeless
advice. We learn to write by reading. Gresser, apparently, was not pleased. On
Dec. 17, Winters responds to a subsequent letter:
“My letter
to you of last November was neither pompous nor rude. Yours to me is both.
However, I am not shocked, for I have had so many letters like yours over the
past 15 years that I am used to them, and merely find them an irritating bore.
I have shown your letter to the secretary of my department [at Stanford
University], and she has promised to write me a form letter to deal with such
situations in the future.”
In my
judgment, Winters is a thoughtful man who deals with a presumptuous stranger with
honesty and directness. He does Gresser the favor of taking him and his poems
seriously. Winters continues:
“Let me
rehearse the situation briefly, however. You sent me some poems and asked my
opinion of them and I gave it. If you had not been willing to accept an adverse
opinion you should have had the ordinary wit not to send them.”
I plan to
draft a form letter consisting of that final sentence. Courtroom wisdom says an
attorney should never ask a question to which he doesn’t already know the
answer. Likewise, writers ought never request a critical evaluation if they can’t
take the judgment. An honest critic has no interest in tender feelings. His
attention is focused on the writing, not the writer. Here is the conclusion of
Winters’ letter to Gresser:
“If I
answered all the people who write me as you wrote me, I should have to neglect
my professional duties rather seriously. Nevertheless, had your poems shown any
talent, I would have answered you in detail. I gave you the best advice I could
give you in brief space: to study the poets of the 16th and 17th
centuries. Take it or leave it.
“You appear
to be young. I trust you will grow up.”
1 comment:
We need more such critics.
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