“Matt
from his seat behind the bar had ample opportunity to observe the free, easy
manners and conversation of the patrons. Much that came out in his own life and
verse afterwards is plainly traceable to the tavern, proving, said Dr. Johnson,
the truth of the Horatian aphorism: `The vessel long retains the scent which it
first receives’ . . . Yet it is to be questioned whether Prior’s coarseness,
his love of drink, his ribaldry, are to be attributed so much to the influence
of the tavern as to that of the times.”
Eves
tells us Prior’s enemies in later life taunted him with such nicknames as “Matthew,
the Pint Boy” and “Matthew Spindleshanks, the Tavern Boy.” Among the patrons of
the Rhenish was Charles Sackville, Sixth Earl of Dorset, already the patron of
Dryden and Congreve, among others. In his remembrance of the poet, Sir James
Montague, who lived across the street from the tavern and remained Prior’s lifelong
friend, writes:
“[Lord
Dorset] surprised this youth, Matthew Prior, with a Horace in his hand, which taking
from him to see what book he had got, he asked him what he did with it. Young
Matthew answered he was looking upon it. How, said Lord Dorset, do you understand
Latin? He replied, a little, upon saying which the noble lord tried if he could
construe a place or two, and finding he did, Lord Dorset turned to one of the
odes, and bid him put it into English, which Matt did in English metre, and
brought it up to the company before they broke up, and the company was so well pleased
with the performance, and the address of the thing, that they all liberally
rewarded him with money; and whenever that company met there, it was certainly part
of their entertainment to give Odes out of Horace, and verses out of Ovid to
translate.”
Prior
became Lord Dorset’s protégé, enabling him to resume study at the Westminster School
(Prior had been forced to drop out after his father’s death). Among the school’s
distinguished alumni were Jonson, Cowley, Dryden, John Locke and Christopher
Wren.
A
few years later, Prior won a scholarship to St. John’s College, Cambridge.
While there he wrote occasional poems in English and Latin, and soon became the
most accomplished English poet between Dryden and Pope.
Here
are two of Prior’s epigrams, a minor but pleasant form in his hands (The Literary Works of Matthew Prior,
Vol. I, eds. H. Bunker Wright and Monroe K. Spears, 1959):
“Ovid
is the surest Guide,
You can name, to show the Way
To
any Woman, Maid, or Bride,
Who resolves to go astray.”
“No, no; for my Virginity,
When I lose that, says
Rose, I’ll dye:
Behind the Elmes, last Night, cry’d Dick,
Rose, were You not
extreamly Sick?”
In
his “Life of Prior,” Dr. Johnson obviously feels an affinity with the poet when
he describes him as “one of those that have burst out from an obscure original
to great eminence.” His assessment of Prior’s gift is fair:
“Some
of his poems are written without regularity of measures, for when he commenced
poet, we had not recovered from our Pindarick infatuation; but he probably
lived to be convinced that the essence of verse is order and consonance. His
numbers are such as mere diligence may attain; they seldom offend the ear, and
seldom sooth it; they commonly want airiness, lightness, and facility; what is
smooth is not soft. His verses always roll, but they seldom flow.”
Prior
was born on this date, July 24, in 1664, and died on Sept. 18, 1721. Three days
later, Jonathan Swift concludes the letter he is writing to William King, the
Archbishop of Dublin: “I am just now told from some newspapers, that one of the
king’s enemies, and my excellent friend, Mr. Prior, is dead; I pray God deliver
me from many such trials. I am neither old nor philosopher enough to be
indifferent at so great a loss; and therefore I abruptly conclude, but with the
greatest respect, my lord.”
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