If I could
have chosen to be the recipient of anyone’s letters, from any era and any
place, my choice would have been simple: Charles Lamb. How often have you
received a letter (or email) that made you laugh when alone? Lamb cranked them
out by the hundreds. Even great writers can be drab correspondents. Take Marianne
Moore, whose letters are business-like. Or James Joyce, forever complaining,
sponging or encouraging Nora to talk dirty. For sheer entertainment, Lamb is
your man. Take the letter he wrote on this date, Oct. 16, in 1800, to his
friend Thomas Manning. He might have written a single sentence: “I won’t be
visiting you in Cambridge as promised.” Instead, after preliminaries, Lamb
reports his activities of the previous night:
“I wish to
God you had made London in your way. There is an exhibition quite uncommon in
Europe, which could not have escaped your
genius,--a LIVE RATTLESNAKE, ten feet in length, and the thickness of a big
leg.”
Why is that
final metaphor so funny? Unexpectedness, I suppose, and pseudo-specificity (how
big is a “big leg”?) – both Lambian specialties. Rattlesnakes are native to the
Americas. In England in 1800, they would have been exotic and fearsome. A
ten-foot rattlesnake is unlikely. For Lamb, the sight of such a creature is a
cue for comedy:
“We walked
into the middle, which is formed by a half-moon of wired boxes, all mansions of
snakes,--whip-snakes, thunder-snakes,
pig-nose-snakes, American vipers, and this
monster. He lies curled up in folds; and immediately a stranger enters (for
he is used to the family, and sees them play at cards,) he set up a rattle like
a watchman's in London, or near as loud, and reared up a head, from the midst
of these folds, like a toad, and shook his head, and showed every sign a snake
can show of irritation.”
In the hands
of a literal-minded drudge, think how dull this story might have been -- like the vacation slideshows I watched as
a kid. Lamb turns on the drama when he touched the snake’s cage: “I had got my
finger away, nor could he well have bit me with his damn’d big mouth, which
would have been certain death in five minutes. But it frightened me so much,
that I did not recover my voice for a minute's space.” Famously, Lamb
stuttered. Apart from his gift for deploying words interestingly, Lamb had a
surplus of charm, a rare quality that involves keeping one’s self out of the
way for the sake of entertaining others. “I dreamed of snakes in the night. I
wish to heaven you could
see it. He absolutely swelled with passion to the bigness of a large thigh.”
Back to big legs again. Lamb signs off, “Yours sincerely, Philo Snake.”
About six
weeks later, Lamb writes again to Manning, and again apologizes for not making
it to Cambridge. Unlike most of his fellow Romantics, Lamb writes, “I must
confess that I am not romance-bit about Nature.”
He launches into an exalted (and quite sincere) paean to urban pleasures:
“Streets,
streets, streets, markets, theatres, churches, Covent Gardens, shops sparkling
with pretty faces of industrious milliners, neat sempstresses, ladies
cheapening, gentlemen behind counters lying, authors in the street with
spectacles, George Dyers (you may know them by their gait), lamps lit at night,
pastry-cooks’ and silver-smiths’ shops, beautiful Quakers of Pentonville, noise
of coaches, drowsy cry of mechanic watchman at night, with bucks reeling home
drunk; if you happen to wake at midnight, cries of Fire and Stop thief; inns of
court, with their learned air, and halls, and butteries, just like Cambridge
colleges; old book-stalls, Jeremy Taylors, Burtons on Melancholy, and Religio
Medicis on every stall. These are thy pleasures, O London with-the-many-sins. O
City abounding in whores, for these may Keswick and her giant brood go hang!”
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