Seven days
before his twenty-fifth and final birthday, on Oct. 24, 1820, John Keats was
quarantined on a ship in the Bay of Naples. The reason for the delay was not
the tuberculosis that would kill him in four months but a suspected outbreak of
cholera in Britain. He writes to Mrs. Samuel Brawne, Fanny’s mother, whom he
will never see again:
“Give my
Love to Fanny and tell her, if I were well there is enough in this Port of
Naples to fill a quire of Paper—but it looks like a dream—every man who can row
his boat and walk and talk seems a different being from myself--I do not feel
in the world.”
The letter
is heartbreaking. Keats remains a gentleman, resisting self-pity and
self-dramatization, the easiest, least noble responses to illness and mortality.
The desperately ill dwell in another country, away from us, the healthy. His
letter, in part, reads like a war correspondent’s dispatch. He tries not to think
of Fanny and their impossible love:
“I dare not
fix my Mind upon Fanny, I have not dared to think of her. The only comfort I
have had that way has been in thinking for hours together of having the knife
she gave me put in a silver-case—the hair in a Locket—and the Pocket Book in a
gold net. Show her this. I dare say no more.”
Passages
like this are the reason I read Keats’ letters more often than even his finest
poems. They possess what William Maxwell once called the “breath of life.” The
letters are human documents, sometimes almost too painful to read:
“O what an
account I could give you of the Bay of Naples if I could once more feel myself
a Citizen of this world—I feel a spirit in my Brain would lay it forth
pleasantly—O what a misery it is to have an intellect in splints!”
No comments:
Post a Comment