“I assure
you I find this world a very pretty place.”
Strong words.
All of us see only ugliness and waste sometimes, but there’s a voluble class of
people unwilling to see anything else. Think of them as critics without
portfolio. I once worked for an editor who returned from his first visit to
Montreal and complained about the scratchiness of the hotel towels. The more
balanced soul quoted above is Charles Lamb. On this date, Nov. 17, in 1798, Lamb is writing to his friend Robert Lloyd, who in a previous letter had complained
that “this world to you seems drain’d of all its sweets.” Keep in mind that
three years earlier, Lamb had spent six weeks locked up in an asylum. As he
wrote to Coleridge in May 1796:
“I know not
what suffering scenes you have gone through at Bristol. My life has been
somewhat diversified of late. The six weeks that finished last year and began
this your very humble servant spent very agreeably in a mad house at Hoxton—I
am got somewhat rational now, and don’t bite any one. But mad I was—and many a
vagary my imagination played with me, enough to make a volume if all told.”
On Sept. 22,
1796, his sister Mary fatally stabbed their mother. For the rest of his life,
Lamb, who never married, remained her legal guardian. Lamb replies to Lloyd in
his 1798 letter:
“At first I had
hoped you only meant to insinuate the high price of Sugar! but I am afraid you
meant more. O Robert, I don’t know what you call sweet. Honey and honey comb,
roses and violets, are yet in the earth. The sun and moon yet reign in Heaven,
and the lesser lights keep up their pretty twinklings.”
Some readers
find Lamb’s prose indigestible. He’s just too silly, unlike his friend and reflection
in a funhouse mirror, William Hazlitt. Fortunately, they are not mutually
exclusive tastes, and we can always be grateful that Lamb never published a
three-volume biography of Napoleon and Hazlitt never wrote Lamb’s awful poetry.
Lamb had every excuse in the world to be anguished and suicidal. Instead, he
became one of the wittiest writers in the language, a master of tone and rhythm,
even in letters. Who else among his contemporaries makes us laugh? Wordsworth?
“Meats and drinks,
sweet sights and sweet smells, a country walk, spring and autumn, follies and
repentance, quarrels and reconcilements, have all a sweetness by turns. So good
humour and good nature, friends at home that love you, and friends abroad that
miss you—you possess all these things, and more innumerable: and these are all
sweet things. You may extract honey from every thing; do not go a gathering
after gall. The bees are wiser in their generation than the race of sonnet writers
and complainers.”
Lamb’s wish
to comfort and reassure his friend is touching. To do so while being eloquent
and funny is miraculous.
1 comment:
I have to say that, of Lamb's contemporaries, Lord Byron makes me laugh. His comments on Wordsworth et al at the beginning of 'Don Juan' for example. Byron was notably sane too whereas Lamb sounds a little 'bipolar' which might explain his being institutionalised in that manner.
"Thou shalt believe in Milton, Dryden, Pope;
Thou shalt not set up Wordsworth, Coleridge, Southey;
Because the first is crazed beyond all hope,
The second drunk, the third so quaint and mouthey."
and this from the dedication to 'Don Juan"
You—Gentlemen! by dint of long seclusion
"From better company, have kept your own
At Keswick, and, through still continu'd fusion
Of one another's minds, at last have grown
To deem as a most logical conclusion,
That Poesy has wreaths for you alone:
There is a narrowness in such a notion,
Which makes me wish you'd change your lakes for Ocean."
https://www.poetryfoundation.org/poems/43828/don-juan-dedication
Of course, you will be familiar with all of this.
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