A sentence
copied into a commonplace book and never pursued: “She smelled of damp cotton,
axillary tufts, and nenuphars, like mad Ophelia.” I’m reminded of a park ranger
who told me flowering cottonwoods smell like freshly ironed linen. It’s
evocative but not helpful. Our naturalist/author is Vladimir Nabokov in Part
One, Chapter 32 of Ada. Nine years
ago, when David Myers and I were assembling “Best American Fiction, 1968–1998,” I lobbied hard for inclusion of Nabokov’s late masterpiece, while objecting to
his efforts to include Gilbert Sorrentino’s Mulligan
Stew and anything by Philip K. Dick. For once, I won an argument with
David.
First,
“axillary tufts,” a botanical term. Nabokov was a professional and hobbyist
lepidopterist, but his learning in natural history was broad and deep, and he
loved using words with precision. Here he refers to a feature found on the
abaxial – that is, underside – of many tree leaves. Patches of fuzz sometimes grow
where the veins intersect. Each patch is an axillary tuft. Axillary means of or relating to the armpit. Is Van saying Ada
smells, in part, like a hairy armpit? There’s a technical name for the related
fetish: maschalagnia.
A nenuphar, according
to the OED, is “a water lily, esp. the white water lily, Nymphaea alba, or the yellow water lily,
Nuphar luteum." In his annotations to Ada, Brian Boyd writes:
“Nenuphars
or water lilies are not among the flowers Ophelia picks just before she drowns,
but could be compared to the way her `clothes spread wide, / And mermaid-like
they bore her up,' in Gertrude’s description of Ophelia’s death, one of
Nabokov’s favorite passages in Hamlet.”
In Gertrude’s speech, Shakespeare mentions only “crow-flowers, nettles, daisies, and long
purples.” His contemporary, Robert Burton, uses nenuphar in The Anatomy of Melancholy: “To refrigerate the face, by washing it often with rose,
violet, nenuphar, lettice, louage waters and the like.” Here’s Nabokov’s
context:
“Was she
really beautiful? Was she at least what they call attractive? She was
exasperation, she was torture. The silly girl had heaped her hair under a
rubber cap, and this gave an unfamiliar, vaguely clinical look to her neck,
with its odd dark wisps and strags, as if she had obtained a nurse's job and would
never dance again. Her faded, bluish-gray, one-piece swimsuit had a spot of
grease and a hole above one hip—nibbled through, one might conjecture, by a
tallow-starved larva—and seemed much too short for careless comfort. She
smelled of damp cotton, axillary tufts, and nenuphars, like mad Ophelia. None
of those minor matters would have annoyed Van, had she and he been alone
together; but the presence of the all-male actor made everything obscene, drab
and insupportable.”
I first read
Ada in 1969, when it was published,
and have read it again three times. The novel at first gave me the mingled
sensations of delight and incomprehension, useful to novice readers. With
time, the former overtook the latter, but I still hadn’t until now looked into
nenuphars.
1 comment:
To quote myself...
'Nenuphar' is a word that has its place in English poetry - in Oscar Wilde's overwrought poem The Sphinx, a high water mark of Decadent verse:
'Or did huge Apis from his car
Leap down and lay before your feet
Big blossoms of the honey-sweet
And honey-coloured Nenuphar?'
Wilde owed the rhyme to his young friend and admirer Robert Sherard, who suggested it when Oscar told him of his struggle to find a suitable 'ar' rhyme for this particular quatrain of The Sphinx. Sherard was touchingly proud of his contribution, writing that 'On the day when I had found 'nenuphar' for the wanting rhyme, I was made as proud by his thanks as though I had achieved great things in literature.' Which he never did; Sherard's chief claim to fame is that he was the first biographer of Oscar Wilde (The Story of an Unhappy Friendship, privately printed in 1902) - a subject to which he frequently returned. But he was also 'the man who thought of Nenuphar'.
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