“Things tell
less and less:
The news
impersonal
And from
afar; no book
Worth
wrenching off the shelf.
Liquor
brings dizziness
And food
discomfort; all
Music sounds
thin and tired,
And what
picture could earn a look?
The self
drowses in the self
Beyond hope
of a visitor.
Desire and
those desired
Fade, and no
matter:
Memories in
decay
Annihilate
the day.
There once
was an answer:
Up at the
stroke of seven,
A turn round
the garden
(Breathing
deep and slow),
Then work,
never mind what,
How small,
provided that
It serves
another’s good
But once is
long ago
And, tell
me, how could
Such an
answer be less than wrong,
Be right all
along?
Vain echoes,
desist”
An old man
watches as life’s pleasures and purpose evaporate. “Vain echoes,” indeed – of
Larkin, of course, and, less likely, Beckett in the final lines. The surprise for
many readers begins in line fifteen and continues: “Then work, never mind what,
/ How small, provided that / It serves another’s good.” Amis detractors will
find this laughable. The novelist carefully crafted his curmudgeonly image, but
readers of Paul Fussell’s The
Anti-Egotist: Kingsley Amis, Man of Letters (1994) know better. For Amis, serving
another’s good didn’t mean public displays of virtue (“virtue
signaling,” as the cliché has it). “Another’s good” means generosity of spirit;
for a writer, the obligation to be a munificent host and entertain his readers. Few
recent writers of fiction are less pretentious and more amusing than Amis at
his best. Name a novel funnier than Lucky
Jim. (There are a few. Go ahead.) Willful obscurity implies a minging contempt for readers.
2 comments:
Masters of Atlantis?
I'll play: The Mackerel Plaza.
Post a Comment