Who are exemplars
of the balanced style my son finds in Braudel? Johnson, of course. Much of
Henry James. Abraham Lincoln, whose dignity verges on nobility. Carlyle and Henry
Adams, in their cooler moments. Henry Adams. Proust. Santayana. Yvor Winters. Certainly
Gibbon. Here is a continuation of the chapter from George Saintsbury’s A History of English Prose Rhythm (1912)
quoted in Sunday’s post. After dismissing Coleridge’s observation that “Gibbon’s
manner is the worst of all,” Saintsbury quotes a memorable, lengthy paragraph
from Memoirs of My Life and Writings
(1796). Here are Gibbon’s concluding sentences, among his most evocative, dignified
and personal:
“The present
is a fleeting moment, the past is no more; and our prospect of futurity is dark
and doubtful. This day may possibly be my last: but the laws of probability, so
true in general, so fallacious in particular, still allow about fifteen years.
I shall soon enter into the period which, as the most agreeable of his long
life, was selected by the judgement and experience of the sage [Bernard Le
Bovier de] Fontenelle. His choice is approved by the eloquent historian of
nature, who fixes our moral happiness to the mature season in which our
passions are supposed to be calmed, our duties fulfilled, our ambition satisfied,
our fame and fortune established on a solid basis. In private conversation,
that great and amiable man added the weight of his own experience; and this
autumnal felicity might be exemplified in the lives of Voltaire, Hume, and many
other men of letters. I am far more inclined to embrace than to dispute this
comfortable doctrine. I will not suppose any premature decay of the mind or
body; but I must reluctantly observe that two causes, the abbreviation of time,
and the failure of hope, will always tinge with a browner shade the evening of
life.”
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