I’ve read
all of Liebling, some of it many times (Between
Meals: An Appetite for Paris), but the lede to his press column in the
March 28, 1953 issue of The New Yorker,
“Death on the One Hand,” may be his finest single sentence:
“Inconsiderate
to the last, Josef Stalin, a man who never had to meet a deadline, had the bad
taste to die in installments.”
Liebling
treats the Soviet despot with the same condescending contempt with which he
treated press barons (publishers don’t have deadlines to meet; reporters do,
every day). Like any good journalist, Liebling was a cynic with a clandestinely
sentimental heart. He could love newspapers while hating editors and publishers.
His lede continues:
“This posed
a problem for newspaper editors, who had to decide whether to use their
prepared obituary notices and shoot the works generally on Wednesday, March 4,
the day Tass, the Russian new agency, announced that the premier had suffered a
brain hemorrhage, which even to the most casual reader looked like the end, or
to wait until he officially expired, by which time the story might have lost
the charm of intimacy.”
Newspapers
routinely prepare stock obits of prominent people. When he or she dies, all the
“B matter” is ready and you slap a fresh lede on the top. Outsiders may find
the practice a little ghoulish but it saves time. In Stalin’s case, Soviet
officials were afraid to announce the dictator’s death prematurely, and they
were worried about the subsequent power struggles that would inevitably take
place. Liebling captures the confusion in Moscow and in the U.S.:
“The
annoying hiatus that the old Bolshevik permitted to intervene between his
syncope and his demise put a strain on even the ruggedest professional seers,
who had to start explaining the significance before he actually died and then
keep on inventing exegeses until he was in his tomb. Altogether, their ordeal
lasted a full week, but they stood it better than their readers.”
Stalin, we
now know, died on this date, March 5, in 1953, and not soon enough.
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