The scrupulous
annotator is H.L. Mencken in his second supplement to The American Language, published in 1948. That same year – and it’s
a grim irony he would have appreciated – Mencken suffered a stroke that left him
unable to read or write for the remaining eight years of his life. The passage
comes from the portion of the book’s opening section, “The Pronunciation of
American,” with sections devoted to each of the forty-eight states. It’s
notable because I’m familiar with Rollins from a very different context. On my
shelf is the two-volume boxed Letters of
John Keats: 1814-1821, edited by Rollins and published in 1958. I’ve also
read his 1948 collection The Keats
Circle: Letters and Papers. I had no idea Rollins was Texas native or that
he made contributions to the study of Texas dialects. Mencken writes:
“The argot
of the cattlemen supplied a number of terms, e.g., maverick, an unbranded
calf; locoed, crazy; son-of-a-bitch, a meat and vegetable
stew; chuck, food; and surface-coal, cow dung.”
Mencken
seldom misses an opportunity to make a joke, especially where the South is
involved, but here he plays it straight. I have no idea how linguists today rank
the three volumes of The American
Language, but Joseph Epstein in “The Music of the Grand American Show” puts
the book into perspective:
“That a man
unarmored by any degrees or other insignia of formal learning wrote this great
theoretical lexiographical work of more than 2,300 pages, called The American Language, with (at my
estimate) no fewer than 10,000 footnotes was, and remains, an astounding
intellectual feat.”
Epstein may
tantalize you into at least skimming one of the volumes. Mencken writes for the
intelligent layman, not academics. The prose, of course, is a pleasure, and
Mencken’s humor is only periodically in abeyance. Epstein writes:
“H.L. Mencken
was one of that small but superior club of laughing pessimists that among
Americans included George Santayana and Justice Oliver Wendell Holmes. Holmes,
writing to Harold Laski, remarked on Mencken’s ‘sense of reality,’ adding ‘and
most of his prejudices I share.’”
“Laughing
pessimists” is good. Terry Teachout, author of a Mencken biography, has described
himself as an “ebullient pessimist,” and Epstein once wrote that he relies on
three writers to “lift one out of gloom, and away from the valley of small and
large woes” – Montaigne, Justice Holmes (in his letters) and Mencken. Good
company, all. Mencken, I find, is the most reliable and fastest-acting.
1 comment:
It's been said that no era vanished as quickly and completely as the 1920s did; so it's remarkable that Mencken managed to remain potent so long afterwards.
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