Something
similar but more insidious has happened with the fashionable phenomenon of “trigger
warnings.” How I would resent opening a book – say, Titus Andronicus, The
Iliad or Lolita – and finding the literary equivalent of an NC-17 or
X imprimatur on the title page. How insulting to any self-respecting reader. The
texts of great books change us. No text should be changed or labeled to suit
our sensitive sensibilities. A good reader is a strong, limber reader, prepared
for challenges of many sorts. I was under the impression that few students,
even Ph.D. candidates, needed an excuse to avoid Shakespeare, Homer or Nabokov.
That’s been taken care of for them.
I happened
upon what may be the first description of “triggering” in the Western
tradition. You’ll find it in the section titled “Scoffs, Calumnies, bitter Jests, how they cause Melancholy” in Robert Burton’s Anatomy of Melancholy
(1621):
“It is an
old saying, ‘A blow with a word strikes deeper than a blow with a sword’: and
many men are as much galled with a calumny, a scurrilous and bitter jest, a
libel, a pasquil, satire, apologue, epigram, stage-play or the like, as with
any misfortune whatsoever.”
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