There is no right way to first encounter a writer.
If my experience is worth anything, it’s best to meet him early, far from the
classroom and syllabus, perhaps in the stacks of a library or at a garage sale.
Budding readers learn to rely on the unlikeliest acts of serendipity. Tennyson
I met thanks to a card game, a variation on Go Fish called Authors. I remember
Twain, Longfellow, Dickens and Louisa May Alcott. Memory tricks me into
thinking William Cullen Bryant was part of the deck, but that seems not to be
the case. Twain and Dickens I had already read but something made me curious about
Tennyson. I probably found a selection of his work at the library and clearly remember
buying a used paperback copy of Idylls of
the King, a strange choice because the Arthurian legend has otherwise never
much interested me.
It’s good to
start early with Tennyson, one of those tireless, industrious Victorians. He
was hugely prolific and requires a lifetime to read. Like Wordsworth, he wrote
too much and much of what he wrote is bombastic and dull, but sifting discloses
wonders and sifting takes time. I defy a reader not to declaim “Milton”:
“O
mighty-mouth’d inventor of harmonies,
O skill’d to
sing of Time or Eternity,
God-gifted organ-voice of England,
Milton, a name to resound for ages .
. .”
For tho’
from out our bourne of Time and Place
The flood may bear me far,
I hope to
see my Pilot face to face
When I have crost the bar.”
“Come, when
no graver cares employ,
Godfather,
come and see your boy:
Your presence will be sun in winter,
Making the
little one leap for joy.”
1 comment:
Eight years ago s very close friend died suddenly. We shared office space, good talk and even confidences. When a stroke felled Arthur I was bereft. Only reading Tennyson’s “ In Memoriam” ( written under similar circumstances and mourning a friend named Arthur) brought some sense and stability to the experience of loss.
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