Isobel Merton
(played by Penelope Wilton): “To quote Tennyson, kind hearts are more than
coronets and simple faith and Norman blood.”
Violet
Crawley (Maggie Smith): “Will you have enough clichés to get you through the
visit?”
Isobel
Merton: “If not, I will come to you.”
It’s
pleasant to contemplate a time when a paraphrase of Tennyson (or Shakespeare,
or Johnson) might have constituted a cliché. The two characters, both aging
women, get most of the wittiest lines in the television show and the film.
Their relationship is bantering but devoted. Each ultimately respects
the other. Isobel has more “advanced” ideas than Violet – women’s suffrage, for
instance. Violet plays the reactionary upholder of the old ways. Tennyson’s
line, from the seventh stanza of “Lady Clara Vere de Vere,” is well chosen:
“Howe’er it
be, it seems to me,
’Tis only noble to be good.
Kind hearts
are more than coronets,
And simple faith than Norman blood.”
In other
words, human decency has little to do with one’s rank or inheritance – an ongoing
theme in Downton Abbey. We meet shits and prodigies of virtue upstairs
and downstairs, among the wealthy and poor, the noble and untitled. No social
class has a monopoly on goodness or wickedness. Each of us is a mingling of
both.
[Tennyson
gives me an excuse to watch yet again Kind Hearts and Coronets (1949),
the brilliant Ealing comedy in which Alec Guinness plays nine roles.]
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