My youngest
son came with a list and quickly found some of what he wanted: One Day in the Life of
Ivan Denisovich and Down and Out in Paris and London. I trusted in
serendipity and, as usual, wasn’t disappointed. My first find, in the fiction section, was
a book I learned about just few years ago and read in a library copy: Eugenio
Montale’s The Butterfly of Dinard (University Press of Kentucky, 1971),
translated by G. Singh. In his preface, Montale refers to its contents as “short
stories – culs de lampe.”
Next, Karl Shapiro’s
Essay on Rime with Trial of a Poet (University of Michigan Press, 2003).
The first title is a 2072-line blank-verse meditation on modern poetry, written
in 1944 while Shapiro was serving in the U.S. Army in the South Pacific. He had
no access to a library. The tone is polemical, mock-scholarly and often comic: “Suspect
the novelist the title of whose book / Is lifted from a sermon or a play.”
There go Hemingway and Faulkner, both of whom were alive when Shapiro published
his book in 1945. Trial of a Poet was inspired by Shapiro’s service on
the jury that awarded the crackpot and anti-Semite Ezra Pound the Bollingen
Prize: “What will our children’s children say / About our art-monsters in
future years . . .”
D.J. Enright’s
Interplay: A Kind of Commonplace Book (1995), the first of three grab bag
volumes the English poet assembled late in life. Here’s a sample:
“One
pleasure in reading almost anything: focusing on a word or sentence and asking
oneself how one would have put it. Gratifying if one’s rephrasing seems an
improvement. Pleasing if, seeing why it is how it is, one concludes that the
writer got it right, righter than one would have oneself.”
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