A friend has given me an unexpected gift: a first American edition of Poems for Children (Henry Holt and Co., 1930), with a printed note before the title page:
“Three
hundred copies of ‘Poems for Children’ have been specially printed and bound,
and have been signed by the author. Of these two hundred and eighty are for
sale.
“This copy
is Number 83.”
The number is written in black ink, as is the author’s spidery though legible signature beneath it: Walter de la Mare. The volume collects poems previously published in Songs of Childhood (1902), Peacock Pie (1913) and various periodicals. Here is an early poem, “The Fly,” reminiscent of Blake:
“How large
unto the tiny fly
Must
little things appear! -
A rosebud
like a feather bed,
Its
prickle like a spear;
“A dewdrop
like a looking-glass,
A
hair like golden wire;
The smallest
grain of mustard-seed
As
fierce as coals of fire;
“A loaf of
bread, a lofty hill;
A wasp, a cruel leopard;
And specks of salt as bright to see
As
lambkins to a shepherd.”
Unlike many
writers, de la Mare seems not to have stylistically evolved over time. The early
poems are generally indistinguishable from later work. He was a master of sorts
from the start. He is also unusual in having blurred his audiences. His poems
for children can be appreciated by adults without embarrassment or tedium, and vice
versa. I remember reading the poems in Peacock Pie
as a kid, first in anthologies, then in the volume itself.
De la Mare’s charms will be lost on the tin-eared and his poems will be
dismissed as kiddie fodder or a species of nonsense verse, like the unreadable
Edward Lear’s. Anthony Hecht wrote of him:
“De la Mare’s poetry is richly, sometimes dreamily, melodic, and the subtlety and skill of his prosody probably derives in part from his familiarity with folk literature and traditional English nursery rhymes.”
Here is a
poem from Peacock Pie, “The Bookworm,” that can be fully appreciated by an
adult who remembers what it’s like to be a child:
“'I'm tired --
Oh, tired of books,' said Jack,
‘I long for meadows green,
And woods, where shadowy violets
Nod their cool leaves between;
I long to see the ploughman stride
His darkening acres o’er,
To hear the hoarse sea-waters drive
Their billows ’gainst the shore;
I long to watch the sea-mew wheel
Back to her rock-perched mate;
Or, where the breathing cows are housed,
Lean dreaming o’er the gate.
Something has gone, and ink and print
Will never bring it back;
I long for the green fields again,
I'm tired of books,’ said Jack.”
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