In 1968, my high-school English teacher loaned me the anthology of short stories she had used at Kent State University just a few years earlier. Included were the usual suspects -- Maupassant, Hemingway, Chekhov, Eudora Welty – but I read them because I knew nothing. Among the unknowns was Flannery O’Connor and her “A Good Man Is Hard to Find,” a title I knew as a young blues fan from the Bessie Smith song. I stayed up late one school night and read the story in bed. I had never encountered anything so violent and disturbing that came under the heading of “literature” and was defiantly not pulp. It was more shocking than a vicious film noir like “Kiss of Death.” Hugh Kenner would call O’Connor’s story a “nice morbid little shocker.”
To this day I’ve never read
anything like O’Connor’s mingling of murderousness and what might be called applied
theology – a combination I've seldom encountered outside Dante. As a non-Catholic,
my understanding is not profound. At first I read it for the
Misfit’s psychotic behavior – and the narcissistic grandmother’s comeuppance.
Now it’s a permanent gloss on the human condition.
In her final short story, “Parker’s
Back,” O’Connor has O.E. (Obadiah Elihue) Parker, at age fourteen, see a tattooed
man at the county fair. The sight transforms his life:
“Parker had never before
felt the least motion of wonder in himself. Until he saw the man at the fair,
it did not enter his head that there was anything out of the ordinary about the
fact that he existed. Even then it did not enter his head, but a peculiar
unease settled in him. It was as if a blind boy had been turned so gently in a
different direction that he did not know his destination had been changed.”
Self-absorbed and always
self-seeking, Parker has never indulged in a self-reflective thought. He moves
by instinct, following obscure impulses as they lead him. In his Rambler
essay for July 9, 1751, Johnson writes:
"It is common for
those who have never accustomed themselves to the labour of inquiry, nor
invigorated their confidence by conquests over difficulty, to sleep in the
gloomy quiescence of astonishment, without any effort to animate inquiry or
dispel obscurity. What they cannot immediately conceive they consider as too
high to be reached, or too extensive to be comprehended; they therefore content
themselves with the gaze of folly, forbear to attempt what they have no hopes
of performing; and resign the pleasure of rational contemplation to more
pertinacious study or more active faculties."
Parker sleeps in “the
gloomy quiescence of astonishment,” at least until he crashes a tractor into a
tree and instinctively yells, “God above!” I’m not describing influence; more
an elective affinity. O’Connor admired Johnson’s work, especially his Lives
of the Poets. His name shows up five times in her published letters, The
Habit of Being (1979), always with approval. We know from Flannery
O’Connor’s Library: Resources of Being (ed. Arthur F. Kinney, 1985) that
her personal library included Dr. Johnson’s Prayers (ed. Elton Trueblood,
1947) and a two-volume Lives of the Poets, as well as Boswell’s Life
of Johnson.
Johnson and O’Connor would
have agreed that evil is a mystery to be endured not a problem to be solved,
and that self-delusion is endemic among humans. On April 14, 1750, Johnson
wrote in The Rambler:
“When a man finds himself
led, though by a train of honest sentiments, to wish for that which he has no
right, he should start back as from a pitfall covered with flowers. He that
fancies he should benefit the public more in a great station than the man that
fills it will in time imagine it an act of virtue to supplant him; and as
opposition readily kindles into hatred, his eagerness to do that good, to which
he is not called, will betray him to crimes, which in his original scheme were
never proposed.”
Today is O’Connor’s
centenary. She was born on March 25, 1925, and died in 1964 at
age thirty-nine from systemic lupus erythematosus.
[Kenner’s quip can be found in Vol. 1, p. 268 of Questioning Minds: The Letters of Guy Davenport and Hugh Kenner (Counterpoint, 2018).]
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