A.E. Housman
will never rank with Cowper and Keats among the great letter writers in the
language. On most occasions he is too blunt, business-like and unself-revealing
to digress and frolic and amuse readers who are less than infatuated with his
life and work. But readers (or skimmers, like me) of The Letters of A.E. Housman (Oxford, 2007), edited by Archie
Burnett, will discover a Housman at odds with the dour caricature of repressed sexuality
accepted as gospel today. Burnett’s two-volume, 1,228-page act of reclamation
is peppered with the wisecracks of a very funny man. (As a scholar, Burnett seems
attracted to misunderstood poets, as his edition of Larkin’s Complete Poems attests.) On Sept. 27,
1921, Housman writes to his publisher Grant Richards, who is about to bring out
the ironically mistitled Last Poems:
“Tell him
that the wish to include a glimpse of my personality in a literary article is
low, unworthy, and American. Tell him that some men are more interesting than
their books but my book is more interesting than its man.”
The
ever-resourceful Burnett, who detects allusions where others nod, notes the
echo of Dr. Johnson’s "The Plan of the English Dictionary": “my book is more learned than its author.” Another
friend of Housman’s was Dr. Percy Withers, a physician and writer who after
Housman death published A Buried Life:
Personal Recollections of A.E. Housman (Burnett calls it “sympathetic but
somewhat baffled”). In a June 12, 1922 letter, Housman thanks Withers’ wife for
the jar of marmalade she had given him, and adds of a photograph taken of him a month earlier: “The photograph is not quite true to my own notion of my
gentleness and sweetness of nature, but neither perhaps is my external
appearance.” The sentence is a perfectly tuned instrument of ironic self-awareness.
To Richards
on Nov. 30, 1922, Housman writes: “Mr Vickers can have what he wants, and any
of his countrymen. I am told that Americans are human beings, though
appearances are against them.” And here, to Richards again, on Jan. 23, 1923,
my favorite: “I suppose the Braille people [The National Institute for the
Blind] may do Last Poems as they did the other book. The
blind want cheering up.”
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